I’m not really used to working with wool. It really doesn’t behave like cotton. Yet, its rich textures have just been a delight. I love the way thread sinks into it. I love the way thread can sit on top of wool, as well.
It inspires me.
I’m also a fool for anything hand-dyed and much wool is currently hand-dyed. (And not cheap, I might add.)
This project really has been one of texture. I experimented with a number of different Aurifil threads, but kept falling back on a nice 30 weight in different shades of neutrals. It has just enough substance to show up, but is not so thick that it starts to cause problems in the machine.
I wanted this to feel a lot like a walk in the woods near the house. Twisty, gnarly branches — barren, waiting for spring.
Here’s a peak at the back side of this project, for those of you who appreciate a look behind the scenes. I think it’s every bit as interesting as the front, maybe even more so.
I have done some projects with wool and roving before. This floral below was one of my favorites. Something about wool is much more free-form for me than rigid piecing in cotton.
You can read more about the roving project here.
If you find you are interested in experimenting in wool, there are plenty of places to start.
Wooly Lady has joyful patterns and plenty of hand-dyed wool.
Sue Spargo also has a lot of hand-dyed fabric and beautiful threads for hand embroidery.
Need to get the creative fires burning again? I recommend a quiet little rendezvous with a few different shades of wool…ooh la la.