Kraft-Tex and Machine Embroidery…My Favorite Combination

Once again, I’m on the path to create something new and fresh for Valentine’s Day. I don’t know why I always want to make something for this holiday…it’s so over-hyped and over-done already. Except that it’s mid-winter, and once I put the holiday decorations away, I’m left yearning to do something different. And I always find something unique for Valentine’s Day.

Here are a few of my past posts:

My Heart’s Greeting, and Other Valentines

–The Un-Valentine

-Valentine’s Day Kraft-Tex Project

–My Practical Valentine

-Kraft-Tex, Transfer Artist Paper and Living on the Island of Lost Tools

–Buttoned-Up Valentine

I noticed that I tend to use Kraft-Tex paper a lot for this holiday. Not sure why, it just inspires me.

These days, I am obsessed with little houses. So I found this set of cross stitch designs on Etsy, from Waxing Moon Designs. It is an e-pattern with 3 designs.

I don’t do cross stitch, but I digitize designs. So I used my Bernina Embroidery Software to re-create these in machine embroidery.

I love thiem.

Each one is adorably cute and just perfect for Valentine’s Day.

These are stitched out on the brown craft paper color of Kraft-Tex. I always use 2 layers of Stabilstick cutaway stabilizer when machine embroidering. I could easily turn these into cards or ornaments or hanging decorations.

Here is a post where I created an entire village for a Christmas tree skirt. (It’s from 2020.) And below is a video (I’m not good at videos.) showing all the different buildings in the little cross stitch town.

These days I’ve been kicking around the idea of a quilt village, with my own designs of tiny houses and a village. I have some ideas, but I have to work out the patterns.

I want to do them in applique, but it’s all still in my mind. I have other projects to finish before then.

So stay warm during this mid-winter season, and Happy Stitching!

Cross Stitch Life Hack

I love cross stitch. But I am completely inept.

I have watched the YouTube videos. I have studied people moving those needles in and out. I purchased the right fabric. I can sew, machine embroider, hand embroider, knit, crochet, do hand quilting. I’m not afraid of stitching by hand. But for the love of all that is good, I cannot figure out how to cross stitch. I. Cannot. Do. It.

So I did the next best thing.

I digitized.

I found the most adorable designs (from Little House Needleworks on Etsy.)

Using Bernina Embroidery Software 8, I got the idea into my head that I could run a border of these gorgeous cross stitch patterns around the outside of a very simple tree skirt I was making.

But as always, it was not an easy task. Like Tina Turner, I never do anything nice and easy. I do it nice, and rough.

It starts with a scan of the pattern, which needs to be trimmed to the exact pattern size in some sort of graphics software. I’m used to working in Adobe, so that’s what I used. But Bernina’s software comes with Corel, so you can use that too. Then it gets imported into the Cross Stitch application in the software.

Now comes the tedious part. Every single stitch gets reconstructed with a click, and a color choice. If you look closely enough at the above image, you can see that some of it is filled in with color, and some of it still has the cross stitch symbols shown. It took me about an hour to get everything filled in for that design.

The next step is to move it into the embroidery program. The software then converts every click that you made in cross stitch into machine embroidery stitches. And it’s pretty magical. One moment it’s just a weird looking drawing, the next minute it’s stitches that my machine will understand.

And I am absolutely loving the way these turned out.

I still have a long way to go on this tree skirt, and each design from start to finish probably takes about three hours. Could someone do it by hand in that time? Maybe someone who knows what they’re doing. That would not be me, when it comes to cross stitch. But I am just so taken in by their charm and sweetness.

I hope you are tolerating this difficult holiday season.

I leave you with this December thought:

“Someday soon we all will be together
If the fates allow
Until then we’ll have to muddle through somehow
So have yourself a merry little Christmas now.”


Sewing for the Generations

My friends are all becoming grandparents.

Not just the ones who had children at a very young age, but also now those who had them at a normal or not-so-very-young age.

I first started quilting in my twenties when all my friends had babies. I made dozens and dozens of flannel baby quilts, most of them hand-tied and filled with the fluffiest polyester money could buy. The parents and kids loved them.

I moved on to more traditional quilting, took classes, and eventually started teaching. But I never forgot how I got started.

Babies.

These days, I’m doing a lot on diapers and onesies. It took some experimenting, but I have found the best methodology.

Keep it simple.

Onesies absolutely do not support a whole lot of stitches. Even some fonts are iffy, depending on the number and size of the satin stitches.

Use two layers of polymesh stabilizer.

I use OESD cutaway polymesh. I experimented with one layer and just didn’t think it was enough. Depending on your design, you may even want three layers. A traditional cutaway adds way too much bulk and stiffness, so go with a polymesh. I also tried fusible, but that distorted the look of the onesie. I’m not a fan of 505 spray so I don’t use it when hooping.

Use a ball point needle.

If you’re familiar with embroidering on knits, you already know this. But if you usually embroider on quilt cotton, it’s easy to forget to change out the needle. Onesies are very stretchy and the fabric really separates when you use a ball point or “jersey” needle. It makes a difference in the longevity of the embroidery, because a ball point separates the threads of the fabric instead of cutting right through them.

Washing Instructions.

I use rayon thread (Isacord) which is bleachable and holds up well when washed. I throw onesies right into the washer and dryer…even in hot water and high settings.

The fabric, 100% cotton, always shrinks a bit. And the embroidery may curl because of that. The best way to fix this is to lay a towel on your ironing board, and lay the onesie face down against the towel — with the embroidery against the towel. Iron the back of the onesie without steam until everything is laying flat again. No problem.

I sew on a Bernina and you can see that with their free arm, it’s really easy to stitch on a onesie without a lot of pinning, clipping and gyrations to keep the back out of the way.

Finally, use a 9 month size or larger.

Maybe it’s possible, but I never attempt to embroider a newborn or 3 month size. I just don’t see how I can stretch it enough around the hoop. I’d have to switch to the very smallest hoop which has a tiny field of embroidery. Most of the onesies I’ve done are size 12 month. They still look relatively small, and get smaller after washing. But they are large enough to work on comfortably.

Sending love and blessings to all my friends and co-workers and friends of friends and co-workers who are keeping the earth populated. There’s really nothing quite like participating in the ritual of welcoming the very newest generation.

Chicken Soup and Embroidery Software

It’s a chicken soup kind of day.

My son came home after his first few days of high school with a nasty cold.  I’m not surprised.  The place is a breeding ground for experimental teenage germs.

On top of that, the weather turned cooler today…for how long, I’ve no idea.  But it’s cloudy and cool right now.

Furthermore, like everyone else in the sewing industry, I read Nancy Zieman’s latest blog with a heavy heart. Whether you watched her show or not, you know Nancy.  You buy her notions or you attend Quilt Expo in Madison. I’ve learned many tips from Nancy along the way, but my favorite line was this: ” I sew at least one quilt a year for charity.”  She never said “You should…”  She told us what she did, and then she did it, among all the other wonderful charitable contributions she made within the industry (and outside of it).

So, yes, it’s a chicken soup kind of day.

While the soup bubbled away, I sat down with my laptop and organized some of the Halloween designs I want to make in the very near future.

I use Bernina Embroidery Software 8, and I’m planning on making tiny pillow-like ornaments to hang on my Halloween tree.

The designs I’m using came from urbanthreads.com, a favorite of mine for cute and/or spooky embroidery.

It’s hard to see the design in this shot but it is a single thread color of a cat.  I used a feature that people rarely take advantage of in the ‘design” menu. Click on “background” and change the background color in the hoop.

Now you can actually see what the design will look like stitched out on dark grey or black fabric. In the prior shot, you can see where I added stitching in a square around the outside.  Before I stitch that, I will add a square of fabric and a ribbon for hanging.  I’m not stitching out today, but I promise to share when I do.

In this design, I’m stitching the profile of this cat, but it has multiple thread changes for each cat.  For some reason, the.exp file I’m using has changed all the colors from shades of purple to random colors.  I did not take the time to fix the thread colors on screen because I will just use the correct ones as I stitch out.

The important thing to note here is that on the side, in the color film, I used the “Sequence by Color” tool.  This way, I’m able to stitch all the same colors at once instead of changing threads each time for each color on each cat. Whew!

It makes a big difference in the amount of time it takes to stitch out.  Also, I will have to cut the jump stitches in between each thread change, as I have the thread moving around quite a bit.

 

Still, I have loaded all this onto my USB stick and am ready to stitch as soon as I prep some fabric, stabilizer and fabric for the backs of these cute little ornaments.

Can’t wait to get started, but I won’t have time for a couple of days.

My Halloween quilt is complete, and ready for its debut! Stay tuned. It may be early September, but it’s already time for a cool change.

Designers Have Finally Discovered Wearables

For a number of years now, I have been following this industry.

I love wearable technology.  For starters, I have a fitbit on my wrist at almost all times. For someone who has a data obsession to begin with, there’s really nothing better than having  a constant flow of data. About myself, no less.

But beyond that, I have been keeping an eye on all wearable technology.

If the truth be known, we haven’t really found that huge breakthrough that brings it all mainstream and into the lives of every human being.  We are getting close, and this is my favorite time in any industry…when the possibilities are endless.

I was working in the field of marketing and advertising when the Internet came along.  I begged, pleaded, talked to superiors, made presentations, wrote papers, power points, sent emails telling anyone who would listen that this was the future of retail.  The future of basically everything.

The early reaction from executives…yes many VERY highly paid executives…was that the web was a passing fad.  Seriously.

But not everyone felt that way, and when more voices chimed in, things began to change.

I feel the same about wearable technology.

We basically have no idea where any of this is going, but it’s going somewhere. Now is the fun part..where all the entrepreneurs get to try things, where the experimenters get to experiment.

Last year, I made a vest using Adafruit’s circuitry. Here’s a link to the end result, but if you want to see the whole process, just click “previous” on the post and it will take you backward through the whole painful journey. (FYI…I wasn’t a STEM student…when I grew up STEM was part of a flower).

But now.

Ah, but now, people like Karl Lagerfeld are on board.  His whole spring 2017 fashion collection had a technology theme.  But my favorite is the large clutch.

I had to laugh at the reaction of the crowd.  Once you’ve built something, it’s not hard to understand how it’s done. But before, it’s a mystery held only by physicists.

The latest thing I’ve seen is this bag from Lisa Perry and Leo Villareal.

Again, it’s another bag that lights up, but trust me LED lights are fascinating to watch, and they are very bright.  We humans are so attracted to bright, shiny, flashy things.

Not everyone is working with the blinking lights though.  Here’s a great article from WIRED magazine about high tech fabric that helps to cool you down during a workout.

But by far my favorite so far has been this lovely fiber optic Cinderella gown from Zac Posen.  So lovely.

I haven’t given up on any of my sewing, quilting and embroidery.  But if I were ever to start over, this would be my new field.  Who knows?  I might have a third act left in me!

Machine Embroidery Valance

I love one-of-a-kind.

If it  hasn’t been done before, I’m in.  Even if it has been done before, but it can be done slightly differently, I’m in.

What I’m not really interested in doing is creating exactly what someone else has already created.  Let’s be honest, here. Nothing under the sun is really new any more.  We all receive our inspiration from someone, or something, or some technique.  Original ideas come from many places, but they almost always require inspiration from somewhere, and we all learn from one another.

That’s OK.  As long as it’s new to you. I don’t judge people who take a pattern and re-create it exactly as the book dictates. That’s how we learn. We aren’t all designers. I’m not…at least I don’t get paid to be one.

But my favorite projects come to me like a whirlwind, and I have all to do to scribble them down before they disappear.  The end product is not always exactly what I had planned, but I know when I have a starting point.

My challenge:  To create a project based on some digitized rulers created in Artwork Canvas within Bernina Embroidery Software 8.

I started with the 3 black ruler shapes, wondering how to place them in an interesting project.

I knew I wanted to use a sewing theme, and I also wanted to incorporate Amanda Murphy’s Sewing Room embroidery designs. I thought they were cute and fresh. (See the link below).

Sitting at the computer one day, I had an idea.  I don’t ever design on a computer.  It’s just not fast enough to capture the idea before I talk myself out of it.

So I grabbed the back of the closest sheet of paper and scribbled out this initial design.

valance-plan2I thought I’d make a table runner, with all the embroidery designs lined up in a row.   I thought about adding buttons scattered around the design, since the theme has thread spools, scissors , rulers, etc.

I didn’t have any fabric at home that was close to my reach that was in the right shape to hold all the designs.

So I stitched a number of half fatquarters together (fat-eighths).  I think they were leftover from this project.

And I printed out some templates to see if I was getting close to my original thought.

valance-plan1It was going to work.

I began embroidery, and once the embroidery was complete, a friend at work (hey Bobbie!) asked if I was making another valance…this time for my sewing room. (You can check out the last time I made a valance here.)

I had actually been thinking of it as a table runner, but when she said valance, I suddenly saw that too!

I continued with the quilting which for some reason was a part of the original scribble and I couldn’t depart from it.  Here are a few of the detail shots.

sewingvalance3sewingvalance2sewingvalance1

 

I’m sure you can see why I wanted to use Amanda Murphy’s embroideries…but it actually works pretty well with the digitized rulers.

Here’s what it looks like complete.  It’s quilted all over using a walking foot, and the back is turned down to form a rod pocket.

sewingvalance4It will be at the shop for a while, but I can’t wait to hang it on the window in my sewing room. I moved the random-sized buttons to the middle to give it a look of continuity. I love the Barbie-style dresses.

You can make the rulers if you attend Bernina’s November Software Inspiration class at your local dealer.  And if you don’t have software, I’m sure you can find a measuring tape embroidery or replace it with another design.  The point is not to make the same valance I made, (although you certainly are welcome to do that) but to make it your own!  Have fun with the idea, and create something new and original for your own home.

October Projects, Bernina Excitement

Is it really mid-October?

Will this election ever be over?

Like the whole country, I feel like I have had enough.  And when I’ve had enough of anything, I turn to sewing.  Usually, I find something completely new to occupy my mind…an outlet to create something I haven’t before.  But the past few weeks have been spent mainly finishing projects, working, taking walks, and finding mindless sewing work from time to time to de-stress.

Here is a little gallery of images showing some of the things I’ve been working on.

In late September, I attended training at the Creative Center at Bernina. They are introducing some new products and I am excited about them.

Bernina 700 Embroidery Machine

b700-straight

Without a doubt, one of the coolest machines Bernina has introduced in a while. It has all the same features as the 790, with these new features:

  • Pinpoint Placement – you’ll never have to worry about hooping something crooked again. (This is cool…and easy.)
  • Thread Away – Never stitch over those loose threads.
  • Programmable jump stitch cutting – it will cut jump stitches as small as 1 mm…no more cutting those tiny jump stitches!
  • Multiple Spool Holder – Put all the threads for a design in one place.
  • 320 designs included
  • 18 alphabets (I love them.)
  • New Monogram Alphabet with ornaments (gorgeous!)

Honestly, I loved this machine.  The engineers definitely had heart to heart conversations with actual people who embroider. Everything we could have asked for is right here. LOVE!

Bernina Embroidery Software 8

The improvements to the software are worth the upgrade.  Even if you don’t use some of the main new features, just the improvements to existing features is worthwhile. For instance, when choosing your hoops, now you tell the software what machine you have and it will only display hoops for that machine.  Remember when you had to scroll that long list just to find your hoop? Not any more.  Also, for newbies, you can turn on labels for all the icons..how helpful is that in learning the software?? (Very, for those who are not familiar.)

Features:

  • New! Color Photostitch – This is a vast improvement on Photosnap which was pretty particular in the types of images that would work.
  • 3D Globe Effect – Great graphic effect.
  • Alternating Pattern Fills
  • One-click Auto Digitizing – Simplified and made easier to use.
  • Couching
  • Quilt Layouts
  • Automatic Quilt Backgrounds
  • 3D fonts

I spend a lot of time in software, so for those of you who use the software a great deal, it’s completely worth the cost to upgrade.  For those of you who use it only occasionally, only you can decide if you need these new features.  It is still a very familiar layout, with colors moved to the bottom.

If you are someone who has held out from upgrading for a few versions, especially if you have been holding out with version 5 or 6, now is the time to move up.  Version 7 was a big change, and was a very user friendly upgrade. It made the software much easier to use.  Software 8 builds on that.

That’s all I have for the moment, with a few new ideas brewing.  More to come, as always!

Needle Punch Felting with Machine Embroidery

needle punch felting 2
I’ve been playing with wool lately, and was reminded by the upcoming Bernina Inspirations class, that I can do needle punch using my machine embroidery.

For anyone who is a Bernina software user, Designer Plus allows you to do needle punch.  All you need is the needle punch accessory (which you can use with or without embroidery).

needle punch toolWhen you set up your machine for needle punch, you need to do a few things:

  • Inset the needle punch needles in your needle holder in place of your regular needle.
  • Change your stitch plate (there’s a special one for needle punch) and be sure to tell your machine that you made the change.
  • Put on the correct needle punch foot.  This not only helps to glide over roving and other wool or fabrics, but it also keep your fingers away from those needles.  You’ll often want to hold the roving in place to keep your design intact.
  • Completely remove your hook system, not just the bobbin.  Take everything out, and close the bobbin door.
  • Turn off your top and bottom thread sensors.

needle punch feltingIn the software, you literally just go to the Digitize toolbox, click on the PunchWork icon and digitize a shape.  Any shape.  And the software will generate one thread color to outline the shape, and then fill it with needle punch.  It’s amazingly easy.

I digitized the shape of this tree, measured it out and laid out the roving within the parameters of the shape.

And then I watched the machine do all the needle punch work.  Pretty impressive.

However, I did follow along with my fingers positioning and re-positioning the roving to be sure it stayed where I wanted it to be while the needle was punching.

Next, I layered an embroidery design on top.  Since I had gone with a tree shape, I was reminded of the tree of life embroidery design in the Sepia Petals collection from OESD. I ended up using the tree background file.

The result was interesting both visually and texturally.

Still exploring my love of wool.  It’s freeing and almost unpredictable as an art form or craft.  I think that’s why I enjoy it so much.

If you are interested in learning more about Bernina Embroidery Software or needle punch, think about attending your May Software Inspirations at your local Bernina dealer.

You just never know what you’ll be inspired to create!

needle punch felting 3

The Splendid Sampler — An Update

splendid_button_4

Since this project goes on for 100 blocks, I thought I would give an update every 10 blocks or so.

For now at least, I am really looking forward to every block, searching for the time to make it before the next block rolls out.  (New blocks come out every Sunday and Thursday). Even more than that, I am enjoying seeing all the other work that others are creating, on the Splendid Sampler Facebook page.

Here is a look at my blocks so far. This grouping includes one of the bonus blocks which I did before the group even started.

IMG_0397 They include everything from hand embroidery to digitizing and machine embroidery, as well as needle-turned applique and raw edge applique.  I have not done any paper piecing, though some of the blocks have made that available.  I am holding out for a slightly more complicated block…one that would be more difficult to piece traditionally than to paper piece.  Maybe a little flower or something like that.  With 90 or so blocks to go, I’m sure something will come along!

Luckily, I’m still finding time to do some of my own work as well, which I will share in an upcoming post. I’m really into neutrals these days, with a pop of color, so I see a theme emerging. A peak at my next project.

wool

 

The Splendid Sampler — The Beauty of Sewing With Others

I am loving the Splendid Sampler.  If you’re not on board, jump in at any point, the water’s fine.  So are the people–from all over the world.  And everyone’s blocks are all so different!  I was afraid we’d all end up with the same quilt, but everyone’s personality is shining through.

Here’s your link to jump in.

Here’s the Splendid Sampler Facebook page.

Because of recent happenings in my life, I got started a little late, and many people haven’t started at all.  Some are just enjoying looking at others’ blocks.

I’ll share with you where I am so far.

splendidsampler2I am missing one of the blocks which I haven’t had time yet to go back to, but another block came in today that I think will be fun to add.  The fourth block, the vase and flowers (kudos to Jen Kingwell) probably inspired some of the most creativity so far.  The blocks have been stunning and all different.

splendidsampler5splendidsampler4I created mine in Bernina Embroidery Software, but many others stitched theirs out by hand or did machine applique.

splendidsampler6Like others, I am keeping a file of all the blocks and their instructions.

While I am in love with the color story of “Black Tie Affair” which I have been using, I am also adding some little touches from my own stash.  As Bonnie Hunter reminded folks, a quilt is always more interesting when all the fabric doesn’t come from one collection.  I agree.

In fact, I also did the little vase block in a whole other color story, just to see how I’d like it.  It’s a little more ‘folksy” as I free motioned it, and I think it has it’s own charm. So maybe I’ll run some parallel blocks with these brighter colors too!

splendidsampler1Truth is, anything can happen this year!  I intend to do as much as I can, when I can.

A few things I’ve learned:

  1.  Don’t try to keep up with everyone else.
  2.  6 inch blocks sound easy.  They’re not. They take more time than many 12 inch blocks.
  3. Slow down and enjoy the process.
  4. Enjoy everyone else’s blocks: get inspired, be challenged, but do your own thing.
  5. Try new techniques.
  6. Purchase the designer’s books. (Pat Sloan has 2 great books — one on applique and one on triangles)
  7. SHARE!  We really do want to see what you’re up to!  On Facebook, Twitter, Instagram #thesplendidsampler