The Kimberbell Challenge

I have worked on Kimberbell machine embroidery design projects in the past, but most were small and I just used a design or two to incorporate into my own pattern.

Not this time. This time I decided to try her holiday quilt “We Whisk You a Merry Christmas”. It’s such a cute pattern it almost hurts.

I’d like to offer a few tips to you for working with Kimberbell in the future. I was in a rush to get this sample done to hang in the shop, and I learned a lot along the way. If I were ever to teach this as a quilt along, I would at least make an effort to start in August. As it happened, I started a couple weeks before Thanksgiving. Not a particularly good idea. This quilt became my life’s work for those two weeks. Give yourself a realistic timeline.

A few other tips:

  • Read the Instructions.

I’ve never been a fan of instructions. Usually for me , they are just a suggestion to get started. But I do know when to review them and exactly where and when I can go rogue. If the quilting world gave Pulitzer prizes for instructions, Kimberbell would win. They are thorough, cleanly presented, and extensive. They can take you through the whole project with very little riffing. You won’t have to re-interpret the pattern

  • Use their fabric or a kit with the fabric already cut.

The one place where I diverged from the pattern was in the fabric I used. We had a fabric picked out for the border, and from that I chose all the other fabrics from lines we had at the shop. This is not an easy task as Kimberbell recommends a LOT of different coordinating fabric patterns. My suggestions if you are picking out your own fabric: Start with the border, and background fabrics, then choose around 10 different coordinating fabrics and cut them up as you go along.

Also, if you are using your own fabric selections, create a guide for yourself. Here’s a scrappy little sheet I used which was a page from the pattern that I copied so I could write all over it.

It’s hard to see in the image, but before I started any of the actual work, I had organized my fabric choices and decided what I was going to use in each section. This allowed me to think through the presentation and fill in any fabrics I might be missing.

  • Use fusible woven interfacing on every background piece.

Purchase enough interfacing that you can cut it up and fuse it to every piece that gets embroidered. This sounds laborious. It is. Take your time and do it right…you will like the results. This step is recommended in the general instructions. Kimberbell recommends Shape-Flex which might be the best interfacing on the planet. I have loved it for many other projects and it works well on t-shirt quilts too. But OESD makes a fusible woven which has the same consistency and I had some of that on hand when I ran out of Shape-Flex. It worked just as well.

  • Lay out a row at a time.

Each embroidery design requires more than one piece of fabric. The background needs to be fused to the interfacing. Have each embroidery in a row laid out with all its fabric pieces cut and ready to go. That way you can get them stitched out efficiently. Once the row is stitched out, cut the finished embroidery design to size. I kept a table at home reserved to lay out the whole thing and did not begin assembly until all the embroidery was complete.

  • Keep reading the instructions.

When you think you know exactly how something will be cut or sewn, READ THE INSTRUCTIONS ANYWAY. Ask me how I know.

  • Enjoy the process!

When working on a large project like this, it’s easy to get caught up in how long everything is taking. Let me say this (and I’ve said it many times in the past), don’t ever start a project thinking about the hours of your life you will spend doing it. Things take time, and at least at the end of a quilt journey, you have a finished product to enjoy.

Would I change anything? You bet. I would have started months earlier. But now at the end, I find it to be impossibly cute. In the pic, it’s hard to see the little sparkly embellishments, which just make it magical.

And just in time for the holidays.

Happy Thanksgiving to all! And don’t forget to visit your local quilt shop on Small Business Saturday. May you find time to stitch during this busy season.

Mini Bags in Machine Embroidery

I love to make these mini bags in-the-hoop of my embroidery machine. The file I designed (in embroidery software), includes 3 bags in each hooping. So I make these like candy.

Honestly.

Three is never enough, though. I had a friend order twenty of them from me recently. She has Christmas and graduations coming up this year, so she plans to use them to hold gift cards for her kids and their friends. Since they are coin-purse-sized, they are perfect for gift cards, business cards, loose change, USB sticks, ear buds and just about anything else that’s small and floats around in your handbag.

The first stitch in the design is a placement for the zippers. I use OESD Stabilstick tearaway embroidery stabilizer. Tearaway is important. This holds the zippers in place. The second stitch is the seam that holds the top part of the bag in place over the zipper. I use a triple stitch.

For fabrics, I designed the bags to be perfectly sized for charm packs, those 5 in. x 5 in. packs you know you have stored everywhere. Don’t know what to do with them but loved the fabric? Make a bunch of these.

The next step is to stitch the bottoms of the bags into place.

Finally, the back and lining are added. Batting is used in every layer, so that gives them a comfortable heft. Once I reach this stage I usually just toss the bags with stabilizer aside and re-hoop and build more of them.

Later, when I’m watching TV or relaxing in the evening, I’ll sit down and remove the stabilizer and turn them inside out. A quick press and you have the cutest little functional bags you’ve ever seen.

This embroidery file is set up for a Bernina Maxi hoop, but will easily work in the Jumbo hoop and I’ve made revisions so that someone can use the Midi hoop, the large oval and even the medium hoop.

I’ll be teaching a class in November so that folks can make their own in time for the holidays. Wouldn’t they be cute in holiday fabrics?

I keep a stack of these on hand all the time. You just never know when a perfect time to use them will come up. The more fun the fabric, the more people exclaim when they see them. Don’t be afraid to mix and match. My next batch, (now I’m thinking of them as cookies) I’m going to try different textures. What about cork? Flannel? Wool? A mixture?

Always something new to think about. Hope your fall stitching is inspiring you, too!

Machine Embroidery by the Book

Through the years, I’ve come across a lot of machine embroidery books. Most of the time, I find they are complex, stuck in the weeds, focused on things that are not important, or are just plain hard to get through.

But this new book from Bernina really works. Because it is written and edited by Bernina educators, I thought it might simply be a hard sell for Bernina products. And make no mistake, it has no shortage of Bernina machine specifics.

However, it really gives a good breakdown of everything you need to know about machine embroidery, including tips and tricks that make life easier.

The images, graphics, tables and info in this book are all really easy to read. And the spiral binding is helpful. Nothing worse than anything step-by-step that won’t stay open.

Don’t get me wrong.

Wherever you purchase your machine, you should be sure to take the free classes they offer so you become comfortable with your machine (and all good dealers do that.). I don’t care how many books you read, you will not learn to hoop your fabric properly by reading. You can only learn that by doing.

When I teach classes, I tell my students that there are 3 variables in embroidery:

  1. Stabilizer.
  2. Your fabric.
  3. The density and size of the design

Any of these could and should change based on the others.

The book addresses all of these right up front. But more than that, it gets into techniques, and stitching on different types of fabric. Want to learn about minkee? It’s in there. In-the-hoop projects? Free-standing lace? No problem.

I’ve done all of these things, so I read with a critical eye. And I have to admit, all the categories are thorough and succinct.

Here’s a link to many of the techniques I have written about.

Will you read the book and be an expert? No. I tell my students that they will only become experts after making their own mistakes. No book can tell you what to do when your machine is acting up. Or if your thread is breaking or you haven’t cleaned your machine in awhile. These things come from experience and the only way to get that is to stitch.

But I’m putting this one on my top shelf and keeping it handy. It’s new this summer and is available anywhere Bernina machines are sold. It’s a solid resource for any machine embroiderer.

Kraft-Tex in the Garden

kraft-tex for the garden. learn to use Kraft-Tex for lots of fun projects. Edgestitch.

If you’ve followed this blog at all, you know that I have a lot of fun with Kraft-Tex, a paper/fabric that can be washed, doesn’t fray, and needs no finishing.

Here’s a link to a couple other of my blog posts on Kraft-Tex.

This time, since I am into garden season, I thought I’d try something slightly different by adding a garden flag made from Kraft-Tex. Now, I know that it has been a truly rainy season in my area, so I though it would be interesting to find out how the flag holds up during rain. I know it can be washed and dried without any issues, and I already tested the ribbon I’m using for color-fastness. So I’m not really worried about the rain.

I promise to show you what it looks like after a few weeks. We’ll all find out!

The embroidery showed up really well on white, and then I placed it on the grey or charcoal color. I find that Kraft-Tex holds up well with lots of embroidery…upwards of 20,000 stitches..as long as I use the right stabilizers. I find it best to use a medium weight cutaway, with a layer of Stabilstick cutaway on top of that — 2 layers of cutaway in total.

Then I cut out the pieces and used a bit of scrapbook tape to hold them in position while I stitched them down onto a larger piece of Kraft-Tex.

These designs can be purchased at emblibrary.com.

After assembling the flag, I added some velcro to the top, along with a fold so that it hangs nicely on the iron bar. A bone folder works great to give a nice solid crease. And the velcro makes it easy on-off. I’m thinking that I could make a number or these through the seasons…Fourth of July next.

Finally, I’m playing around with placement outside. I don’t have my annuals set up out there yet, so it’s a bit early. In the meantime, this is easy and gratifying stitching to get done for any season.

Sewing for the Generations

My friends are all becoming grandparents.

Not just the ones who had children at a very young age, but also now those who had them at a normal or not-so-very-young age.

I first started quilting in my twenties when all my friends had babies. I made dozens and dozens of flannel baby quilts, most of them hand-tied and filled with the fluffiest polyester money could buy. The parents and kids loved them.

I moved on to more traditional quilting, took classes, and eventually started teaching. But I never forgot how I got started.

Babies.

These days, I’m doing a lot on diapers and onesies. It took some experimenting, but I have found the best methodology.

Keep it simple.

Onesies absolutely do not support a whole lot of stitches. Even some fonts are iffy, depending on the number and size of the satin stitches.

Use two layers of polymesh stabilizer.

I use OESD cutaway polymesh. I experimented with one layer and just didn’t think it was enough. Depending on your design, you may even want three layers. A traditional cutaway adds way too much bulk and stiffness, so go with a polymesh. I also tried fusible, but that distorted the look of the onesie. I’m not a fan of 505 spray so I don’t use it when hooping.

Use a ball point needle.

If you’re familiar with embroidering on knits, you already know this. But if you usually embroider on quilt cotton, it’s easy to forget to change out the needle. Onesies are very stretchy and the fabric really separates when you use a ball point or “jersey” needle. It makes a difference in the longevity of the embroidery, because a ball point separates the threads of the fabric instead of cutting right through them.

Washing Instructions.

I use rayon thread (Isacord) which is bleachable and holds up well when washed. I throw onesies right into the washer and dryer…even in hot water and high settings.

The fabric, 100% cotton, always shrinks a bit. And the embroidery may curl because of that. The best way to fix this is to lay a towel on your ironing board, and lay the onesie face down against the towel — with the embroidery against the towel. Iron the back of the onesie without steam until everything is laying flat again. No problem.

I sew on a Bernina and you can see that with their free arm, it’s really easy to stitch on a onesie without a lot of pinning, clipping and gyrations to keep the back out of the way.

Finally, use a 9 month size or larger.

Maybe it’s possible, but I never attempt to embroider a newborn or 3 month size. I just don’t see how I can stretch it enough around the hoop. I’d have to switch to the very smallest hoop which has a tiny field of embroidery. Most of the onesies I’ve done are size 12 month. They still look relatively small, and get smaller after washing. But they are large enough to work on comfortably.

Sending love and blessings to all my friends and co-workers and friends of friends and co-workers who are keeping the earth populated. There’s really nothing quite like participating in the ritual of welcoming the very newest generation.

Wool Lasts Forever

And sometimes, for me, it takes forever. My last post on this project was dated June 2017.

I’m not even kidding. Here it is.

And, if you’re wondering…I’m still working on it.

In fairness, I have a tendency to put a project away for a couple of years, and then come back to it with gusto. This is one of those projects. I am determined to finish it before the end of the summer. I love hand work, and find it very relaxing. And it’s time for this one to move along. I’ve made progress, just not enough.

I do have a couple more tips for you, if you are working with wool.

  1. Remember I said to use a longarm stapler to hold your pieces in place? ( I did.) Well, I’d like to add to that. Use it GENEROUSLY.

See all those staples? They really do help keep things from wandering while you stitch. They leave no mark, they are easy, convenient and not a big deal to pull out. I love it.

2. Try these little leather patches.

I have a weird way of using my ring finger to push the needle. Thimbles are so cumbersome, even the leather thimbles. But these little patches can actually be used and reused so that a single pack of them can last a long time. I can use one patch for weeks. I just peel it off and stick it back into it’s packaging or on the plastic covering, and peel it off again to reuse it the next time. They are perfect when hand sewing quilt bindings, or doing any kind of handwork. Most of us have one finger we use consistently to push the needle. This leaves your finger mostly free except for the exact spot that gets the pressure.

3. Try using a wool pattern in a different color way. Along the way to finishing the project above, I did a whole other project where I added some wool to a cotton wall hanging.

The aquas, golds and greens in this pattern were a fun interpretation of the same floral design. Valdani cotton is my preferred thread for hand work. I have purchased directly from them, but you can find local shops who carry it. If your quilt shop doesn’t, be sure to ask them to start carrying it. You are likely not the only one who would like to see it.

I have lots of other projects up my sleeve coming soon, but this wool project is one I’d like to see completed.

Wish me luck and perseverance. May you find time for all your long term projects too. They teach us that life is short, and we need to keep stitching.

In-The-Hoop Easter Machine Embroidery

I know I’m getting ahead of the game, thinking about Easter. But I felt like I needed a bit of Easter cheer early on, so these are what I found.

Do you have an embroidery unit you haven’t taken out of the box? (You know who you are, my friends.) This is about as simple a project as you can imagine.

Here’s a link to the designs. Just download them onto a USB stick.

Prepare some fabric…you only really need scraps. And find some scrap batting. You know, the stuff you cut off around the edges of your last quilt.

Tip: After cutting small amounts of batting on your cutting mat, use a lint remover to clean up the batting.

Here’s the trickiest part. You need a nylon zipper. At least 7 inches. These are unbelievably common in the sewing world. Anything over 7 inches will work.

I used 14 in. zippers because that’s what I had on hand. Here’s a source that your local quilt shop may have even used: atkinsondesigns.com

And here’s a bonus. If you purchase her zipper pulls, you can easily change the color of the pull. Here’s instructions on how to do that. Your life will never be the same.

Back to the Easter egg pouches. I’m sure they come with instructions but I never read them. (Surprise, surprise.) Take some scraps of batting, approx, 6 inches x 6 inches, along with some scraps of fabric, about 6 inches x 12 inches. You’ll need 2 of the smaller size for the top and bottom half of your egg, a larger quilt sandwich for the backing/lining.

Wrap the smaller size fabric around the batting, so you have a straight edge to lay against the fold.

As you can see here, I didn’t even cut my scraps with any precision, as they will be completely trimmed away. You are just making sure that the batting is covered front and back. The fabric shown is Modern Quilt Studio’s Dot Crazy. I love this because it has fabric with a line of larger dots through the center…no piecing necessary.

Hoop your large oval or any 5 x 7 or larger hoop with sticky back tearaway stabilizer. I used OESD Stabilstick tearaway.

The design will walk you through all the steps on your machine. The first stitch out will be the placement line for the zip, which stitches directly onto the stabilizer.

Then stitch down lines on the zipper, then you lay down the top part of the egg with the fold right up to the zipper. The design will then stitch across the top fabric on the zipper. The goal is to make sure you have enough fabric wrapped around the batting to cover both sides of the egg.

Next, it will stitch the top half of the egg down.

Then lay your bottom fabric with the fold up against the zipper, as you did with the top. The next stitch will secure the bottom fabric to the zipper, and the stitch after that will secure the bottom half of the egg.

Move your zipper pull to the middle of the design!

This will allow you to turn the pouch inside out once it has been stitched. Now, you can also add a ribbon or handle at the top before the backing/lining is stitched down. (As I did). Add a quilt sandwich with the backing and lining down on top.

The final stitch is a zigzag to secure the seams.

This entire stitch out is a total of 6 minutes–almost as long as it take to read this blog post. These are easy and really quick, using fabric and scraps you likely have lying around.

When you take it out of the hoop, trim close to the stitching. Remove the stabilizer from around the zipper, and then open the zipper as far as you can. This will help when you turn the bag inside out. Remove as much of the stabilizer on the rest of the bag as possible. You should only see a bit of stabilizer around the outside seam, and a tiny bit where the zipper is attached. Everything else can be removed. Turn your little egg inside out and press.

Use your egg pockets as decorations or gifts–a great gift card holder or candy pouch!

Now reward yourself with fine chocolate.

Valentine’s Day is coming after all.

Sewing Through the Midwestern Blizzard

#SNOWVEMBER, is what I’m told.

Actually, it’s just raining. but they say the snow is coming…and plenty of it. I am skeptical, but that’s nothing new.

These little ornaments on the tree are made from Kraft Tex. (See my previous post for more details.) I think they turned out cute, and I am anxious to try stitching them out on fabric and turning them into little stuffed ornaments. I think that would be adorable. These have designs on both sides, because I just wanted some flexibility. I’ll need to make some minor adjustments to the software file I use to stitch out the designs on fabric. On the new ones, I’ll add a seam around the outside, leaving an opening to turn them. Then it will be just a matter of stuffing them.  I’ll share when I start that.

But for this task, I wanted to show you the greatest little tool I got at the shop as it was closing. I didn’t think I’d ever need it, didn’t really have any idea why I might use it, but of course I purchased it anyway.

And it sat in my sewing room for over a year.

(Incidentally, as we speak, the rain has turned to snow out my window. Maybe they are not all liars after all.)

It’s called a Circle Rotary Cutter from Olfa. I finally decided to try it out for this project and I am in love with it. I guess I just didn’t know how desperately I needed to cut accurate circles. It has a ruler attached so you can set the radius. You basically use it like a compass, with the sharp point in the center, and a blade instead of a pencil at the end. Suddenly I am imagining all the wool projects I’d like to invent using circles, as well as paper, Kraft Tex, felt, and basically anything a rotary cutter will go through.

In minutes I had beautiful, ACCURATE circles. Do not discount the significance of getting a circle perfectly round.

I am off now, to work on a quick quilt that I must finish before the holidays. We all have those last minute projects. For those of you in the Midwest, Happy Blizzard-Sewing!

The Ubiquitous Old Red Truck — And Other Holiday Icons

C’mon. You know you’ve seen this truck everywhere.

I’m not sure when it became the definitive retro/vintage/holiday symbol. But somewhere along the way it did. I’ve seen it in catalogs, in charming shops, on TV (Hallmark Channel has at least one movie where the truck is a co-star.) I’m sure this old truck obsession is a simple longing for tradition, simplicity, home-baked cookies and the scent of actual pine. But let’s remember: this cute, sentimental old truck could put out enough dangerous fumes to choke a horse pulling an open sleigh. We are excellent at suspending reality during the holidays.

That said, my grandfather had a dark green/blue one just like it on the farm. (You can see it in the pic with Mom and me below.)

Since I’m as sentimental as everybody else around the holidays, I found myself purchasing the truck machine embroidery shown at the top. Buy it here.

I stitched it out on Kraft Tex.  If you’re not familiar with Kraft Tex, it’s the miracle textile that the Levi’s logo is made of.  It doesn’t rip.  It’s washable. It lasts forever and takes a beating and doesn’t show wear and tear. And you can sew with it and on it.

I wasn’t sure how it would hold up with 22,000 stitches on it, but I used Stabilstick Cutaway stabilizer and it was perfect.

Then I started getting more ideas about holiday decor using Kraft Tex and machine embroidery. You can find some cute and simple designs here.

I stitched them out, again using the Stabilstick cutaway stabilizer.  I put a design on the front and on the back, trimmed them to size, rounded the corners, and stitched in black around the outside.  They are the perfect shape for mouse pads.  But I added ribbon and will give them out on Thanksgiving as a holiday decoration.

Once I did those, I started testing ornaments.

CAUTION: Don’t just resize the designs.

I tried to take them from 7 or 8 in. wide down to 4 in. Even in software, they did not size down properly.  They were not originally .ART files, so the software was struggling to reduce stitches. I tried it anyway, but…

Yuck. Big mistake. So I went back to the website and ordered some new ones in smaller original sizes.

These turned out just fine.  I’ll be adding ribbon and using them as ornaments. They will have different designs on each side. I’ll share more when I get them completed.

For now, I’m wishing all of you a wonderful Thanksgiving and a relaxing weekend with loved ones. My holiday will be spent with 10 close family members and 2 dogs. That’s charming and sentimental enough for me.

 

Machine Embroidery Cross Stitch for Halloween

I found this cute embroidery in Cross Stitch Magazine, Halloween edition.

I am not someone who is into cross stitch, but I think it looks so charming around the holidays. My way of handling this is to digitize it and then use the machine to embroider it.  I use Bernina Embroidery Software 8, which has a cross stitch application within the program. If you are not familiar with it, the sub-program has its own “help” section and manual.  I find that it is really pretty simple if you know a few basics.

I will share with you what I did to create this design, and you can explore another of my Halloween posts right here.

The first step is to scan the pattern at its original size.  This design was approximately 7.5 in. x 6 in. Shown above is the black and white scan of the image, but you can see that this image is enlarged enough to show that I can see the markings of all the different thread colors. That will be important later when I manually add them.

A few basic steps:

  1.  Crop the image right up to the outline of the grid.  You want it to be cropped as perfectly as possible when you load it into the cross stitch program. I use Adobe Photoshop to do this, but Corel is built into the software program and you can easily use that instead.
  2. Count the grid.  The heavy lines indicate ten spaces, so you can get an accurate count. You’ll need that later.
  3. Open the cross stitch program in applications.
  4. Click the “picture” tab and load the picture.
  5. Right click on the picture (this is an important step!) and plug the dimensions of the grid in the width and height. These are the number of grid boxes you counted in the second step. This aligns your image with the grid in the program.
  6. Begin adding in your stitches by clicking on the pencil.  At the bottom you can choose the type of stitch…I almost always use a full cross, but you have a number of options.
  7. Choose a color, and you’re ready to fill in your stitches using the image as your guide.
  8. Left click on each grid box to add in your stitches.

In the image above, you can see what it looks like after I added all the stitches.  This did not take long at all, maybe half an hour to get them all filled in.

Save the file as  filename.arx. .arx is the extension used by the cross stitch program.

Now you can close the whole cross stitch program and your embroidery software will still be open. When opening this file, just be sure to choose the .arx extension or “All Files”.

This is the great part. The software will digitze those cross stitches and turn the whole design into an embroidery file. Above, you can see how it turned out on my screen. I exported it then as .exp as I would any embroidery design file and saved it on a usb stick.

The first time I stitched it out, the ghost in the background was just a little too faded. I switched to a slightly darker fabric and the ghost appears more clearly on the right (although I think the picture is a little fooled by the lighting.)  In real life (!) the one on the right lets the ghost show up much better.

I had fun with this project and it’s actually a lot less time consuming than cross stitching by hand — though I have great appreciation for those who do that!

This way, I can stitch it out over and over again…on a pillow, as an ornament, on a bag, etc. I used Isacord thread for these, which is 40 weight embroidery thread.  But I am curious how it would turn out if I had done it with 28 weight, a heavier weight thread. I think that would be really sharp.  The cross stitch program would allow me to adjust the size of the grid as well, so I have lots of opportunity to go deeper and try new things.

Hope this inspires you. The cost of one magazine provides you with so many cute patterns to try. And cross stitch is a program that is so often overlooked in digitizing software.

It’s really worth some experimentation.