More Freestanding Lace

Boo!

Machine embroidery has so many uses, but the one I’ve been dabbling in the most lately is freestanding lace. I’ve blogged about it a few times in the past. You can read those posts here and here.

Lately, I tried something new and I wasn’t sure how it would turn out. I took a simple lace embroidery, meant to be a small doily.

Then I stitched a number of them together after creating a design in software to see what it might look like.

Freestanding lace, Bernina Software 8All you have to do is use a simple zigzag with an open-toed foot on your machine.

Just pin the multiple pieces together and sew the zigzag in various points to hold it together.

Keep the zigzag stitch narrow and tight, and it will be hardly visible on the finished piece. I went forward and back-stitched, just to make sure it would not unravel.

The finished product turned out better than I had expected.

While I am using it now for Halloween, it obviously will be gorgeous for the holidays, as well.

I also have to admit that I am in love with these tiny LED lights, lit by battery packs. Of course, they cannot stay on all evening as my orange lights do around the fireplace, but the teensy ones on the Halloween tree and surrounding this ceramic pumpkin are just perfect.

Like those ornaments? I’ve made them over the past couple of years in machine embroidery.  You can search “Halloween” on my site or view one of the posts right here.

I hope I have inspired you to make more use of your machine embroidery.  It’s fun and festive and the ideas are endless.

7 Reasons to Own a Serger

I know. You’re a quilter.  Or maybe you enjoy machine embroidery. You don’t need a serger to have a happy life.

But I’m here to tell you that you can use it in many useful ways, even if you think you won’t.  If you never want to have one, that’s OK.  But let me try to persuade you just a little.

Why You (Might) Need a Serger:

  1.  To make quilt backs.  I use my serger all the time for this simple reason.  It is the fastest machine to do a very straight and very sturdy stitch on long pieces of fabric.  Afterward, I just iron the serged edge to one side. This is especially helpful when the back of the quilt is rather scrappy and I am assembling multiple pieces.  Just keep your edges straight, and off you go. Easy peasy.
  2. To make duvet covers. You may or may not want to do this, but I use a nice comforter on my bed that needs a duvet.  I always make my own, never purchase one.  I piece them together just like quilt backs.  Usually I have one print on one side and another print on the other, so when I flip the comforter I get a contrasting, yet coordinating look.
  3. Curtains and valances.  This is the very best way to make things for the home.  I have different valances for different seasons in my kitchen.  They get lots of washing and re-hanging over the course of the years. They have to be able to withstand all of that and a serger keeps the raw edges from unraveling. Of course, the edges that you will see are turned under but seams and ruffles really last with a serger.
  4. Pillow cases.  I use the easiest pattern for pillow cases ever (not the burrito style–google it if you don’t know about that.) The Ready Set Serge is great for simple serger ideas and I have used a number of her patterns over and over and over again.
  5. Garments.  This one is a no-brainer, but if you’ve never sewn garments, it may not be obvious to you.  It’s the best way to give your sewing a finished look without elaborate things like french seams or other couture techniques. This is the tool for quilters who occasionally sew a garment.
  6. Knits and any stretchy fabric.  Sergers were designed for this.  They can pound through sweatshirt fabric like nothing else. Leggings? Bathing suits? Stretchy fabric for a skirt?  All perfect on a serger.
  7. Simple bags. With the onset of the “bring-your-own-bag” movement, I have often found myself using leftover fabric (sometimes not-so-leftover fabric) as grocery bags, farmer’s market bags and carry-alls. I prefer cloth bags to anything else because I can throw them in the washing machine…and often do. The finished serged edges keep them from fraying and they withstand wash after wash.

I hope this persuades you to think again about a serger.  I know that for folks who do more garment sewing than I, the serger is priceless.  But even as someone who is mostly a quilter and machine embroiderer, I find that the serger is the perfect complement to my sewing.

And here’s the thing.  Once you have one, and learn to use it, you won’t know how you ever did without.

Happy 75th Anniversary Joann’s!

This August, Joann’s Fabrics is celebrating its 75th Anniversary by giving a gift to all of us who love fabric, crafts, paint, DIY, etc.

They are getting a makeover, and all I can say is: It’s about time.

I do like to go to my local Joann’s, but I can’t tell you how many times I’ve wanted to throw things on the floor at the checkout line (or the fabric line) and walk away. Either they don’t have enough help, or the help doesn’t care, or the place is just a mess or all of the above.

And yet, if I need plastic snaps, or a white button, or home decor fabric, or any number of sewing notions and I need it NOW, it’s the place we go.

They are starting with a name change…from Joann’s Fabrics to just Joann’s. Because they want folks to remember they are so much more than just fabric. (Honestly, I think that’s just their marketing department catching up to real life, because who of us already didn’t know that’s where to go for storage or plastic flowers or beads or…whatever.)

But the most exciting aspect is that they will be updating their 800 stores this fall and into next year.  They already have a prototype store that’s been updated in Columbus OH.

Who’s up for a road trip to Columbus?

New features in Joann’s stores:

A cutting bar:  You’ll be able to check in, and get a text when your fabric is cut.  In the meantime, you can wander around the store. Anyone who’s ever stood in line while folks dawdle and chitchat or worse, know this can be a frustrating and time-consuming wait.

Creator’s Studio: I love this idea. You can rent a sewing machine, grab a cup of coffee, a cookie, or attend an event or class. The studio is positioned in the middle of the store, not shoved away in a corner.  It’s meant to revolve around community…possibly a place for bees to meet? I don’t know how this will work but am anxious to see it in action.

A Custom Shop:  Tailoring, custom design? Sounds like they are working toward a specialization that very few other places have. (With good reason.) I’m guessing this would be a place for alterations and some custom services, possibly home dec.

Expanded merchandising:  They are planning on carrying more sewing machines from different manufacturers, for every budget.  Obviously, this gets complicated because sewing machines need service, but we’ll see where this goes.

All of this is great news for anyone who loves crafts of any kind. And we already know that all crafts overlap. Sewists are often also knitters or scrapbookers or bakers (or gardeners…hey, Joann’s don’t forget about that!) We need a place to go that’s inspiring and caters to customers’ needs.

Of course, we still love our independent quilt shops, and they will ALWAYS be our first choice for quilt fabric. But in a world where so many shops are disappearing because of online competition, it’s good to know that someone is investing in us.

And in our $3.7 billion in discretionary spending.

The State of the (Sewing) Union

Friends, Quilters, Sewists, Designers, Artists and Fiber Lovers of all flavors:

Today we gather to review the state of our industry, and to hold a mirror up to ourselves – – for the fun of it.

The 2017 Quilting in America survey just came out.

The main headliners: 

  • 7-10 million total estimated quilters in the U.S.
  • $3.7 billion in total estimated quilting industry spending for 2017. (Holding steady from 2014, which was at $3.76 billion.)
  • $442 is the amount the average quilting household spent in 2017. (Up by 48% from 2014.)

The survey found two main groups of quilters: Dedicated Quilters and Under 45 Quilters.

Dedicated Quilters:

  • Female
  • Average 63 years old
  • Well educated (70% went to college).
  • Affluent ($95,900 household income).
  • Spends average $3,363 per year on quilting.
  • 85% prefer traditional style, 37% modern quilting, 20% art quilting.
  • Account for 72.2% of total industry expenditures.
  • Purchased an average of 99 yards of fabric the last year (Well, this made me laugh.  How many quilts can you make out of 99 yards of fabric? Quite a few. Hence, the reason we all have a wonderful stash!!)

Under 45 Quilter:

  • Affluent ($98,000 household income)
  • Prefer modern quilting
  • Websites (75%) and online video (63%) play a stronger role for education and inspiration than total sample
  • Blogs are important to this group
  • Even though they are employed, they still devote 10+ hours a week to their craft

Some things to consider: 

  • 97% of Dedicated Quilters are purchasing fabric in person at a retail location. But 66% also purchase online.
  • 83% of all quilters will purchase 100% cotton thread (hello Aurifil) in the next 12 months.
  • 54% purchase batting in queen size
  • In the last year 26% purchased a new sewing machine. Average price $2212.
  • 50% of Dedicated Quilters use social media, like Facebook. (Up from 14% in 2014.)

But what’s happening in the garment industry?

If you are a garment sewist, you have seen some major changes lately as well.  Many quilt fabric distributors are now also featuring rayon and denim in their current lines, and often include garment patterns as part of their collections.

CSS Industries, Inc. now owns: Simplicity, McCalls, Butterick and Vogue.  That’s a LOT of consolidation.  Why?  Because new indie designers and pattern makers are basically taking over the industry, and leaving the old brand names in the dust.  Those “Under 45-ers” listed above want to sew their own clothes.  They want it in their own patterns and in their own sizes.

But the old guard garment industry didn’t realize that patterns as currently packaged are incoherent to someone learning on their own.  In the old days, of course, your mom or grandma taught you to sew clothes.  That doesn’t happen any more and younger sewists need help. Along came sites like colettepatterns.com.  (Patterns that teach, in current trendy designs.)

Furthermore, distribution channels are basically gone for garment fabrics.  JoAnn’s, Walmart, Hobby Lobby?  Please. If you’re making a Halloween costume, sure.  But something you want to wear and spend some time and effort making by hand? Not a chance.

So where does this leave the state of the sewing industry?

In a creative and strong place.  With the Nextgen sewists/quilters already on the rise, and technology and social media filling the gaps in learning curves (not to mention our physical curves like cashmerette.com), the industry is poised for change and growth.  We seem to be insatiable in our desire to create and to learn and to connect.  Social media makes all this possible in fresh ways.

Yet we are still addicted to the feel and touch of fabric, making me believe that we currently have a brick and mortar “hole” to fill. Who will transform the retail and customer experience for us? Who will bring the online and offline advantages together?  Consider it a challenge.

And let the sewing games begin.  Happy 2018!

 

Splendid Sampler on the Move!

Finally, I am moving forward with my Splendid Sampler quilt.  I wrote about it here and here.

I would like to say that I completed all 100 of the blocks, but alas, life happens and I am a firm believer in stopping while I’m ahead.  At first I did every block that came my way, regardless of the techniques.

I quickly realized that I never want to sew hexies.  I mean *never*. Especially not 1 inch ones.  And I realize that I may make enemies this way, but not everyone likes the same thing and that is just fine.  If you love tiny hexies, bless your heart. If you like bunnies and squirrels on your quilt, bless your heart as well. And if you really love tiny paper-piecing, you’re probably going to heaven too.

It is laid out in our foyer, and I am finalizing the way to finish it.  As you can see, I was pretty strict about the color palette.  Thankfully, I still love the colors.  Something about the neutrality of it makes it slightly less traditional.  As you can see, I’ll probably stick with the dark inner border and a “piano key” outer border. I have so many scraps left over, I will easily be able to use them up as the border. I gain a little size there too.

I vowed a long time ago not to make quilts that are larger than twin size because:

  1. I have no room to store them.
  2. I don’t want to pay someone else to quilt them and I absolutely cannot handle queen size on my domestic machine, at least not with any quality.

But I did learn some new techniques.  And I reignited a love of hand embroidery, which is quite popular right now.

 

It really does take a lot of time.  As you can see, the left side is done by hand, the right side I just digitized and stitched out in machine embroidery.  Sometimes the new block would be announced and I would think (I’m being honest here), “Not another hand embroidered block. I don’t have time this week.”  At that point I was reminded of  Indiana Jones in the scene with the Samarai wielding the giant sword. Indy, exhausted,  whips out his gun and shoots him. After days of finishing one hand-stitched block, if another came up, I just went to the computer, digitized it in software, and within an hour, machine embroidered the next block.  It’s cheating, I know.

But it looks great.

Over 20,000 quilters started this project back in February 2016.

I would love to know how many finished a quilt!

And So This is Christmas…

And what have you done? Another year over, and a new one just begun.   –John and Yoko

Bah Humbug.

Sigh.  This time of year I don’t want to hear any more holiday songs. (Unless of course it’s “Celebrate Me Home” by Kenny Loggins, which I can listen to over and over and never get tired.  Here you go…a crazy live version.)

Not to be confused with Same Old Lang Syne by Dan Fogelberg, which I listen to for one week every year (between Christmas and New Year’s) and tolerate for its simple wistful loveliness.

But John Lennon haunts me.
Every year at this time, he asks what I have done and reminds me that I’m another year older. And the haunting part is that he’s not. He is timeless now, with his music still playing everywhere.

What HAVE I done? What have you done?  The only thing I have to show for this past year is my work.  So here’s a little gallery of this last year’s finished projects.  And some that might be not-so-finished.

“A very Merry Christmas. And a Happy New Year. Let’s hope it’s a good one, without any fear.”

 

Going Against the Grain

If you’ve ever done any garment sewing you know that:

1. It’s not easy.

2. If you don’t know what you’re doing, you better follow that pattern EXACTLY.

Well, I’m not much of a garment sewer, although from time to time fabric tells me what it wants to become and my job is just to do what it tells me.  That’s how it was with this delicious fabric from Cotton and Steel.  It’s really not an easy line to piece into a quilt as it doesn’t lend itself to small cuts.  But it was just calling out to me, begging to be made into this vest.

And so I bought it and set it aside until I was ready.

You can see that the line on the pattern indicates that the pattern should lay on the fabric the way it’s shown in the pic above —  grain line parallel to the selvage.

But that wasn’t the vision.  I wanted vertical stripes in front.  So I began my research.  What will happen if I ignore the grain line?  Will the shape be distorted?  Will the vest not lay properly?

I turned to the Internet where the general consensus seemed to be:  Always follow the grain line. Unless you don’t want to.

Actually, most people were specific. If you wanted a pattern to run a certain way, then It’s OK to cheat the grain line a bit.  Especially on a fabric that is not stretchy.  Since I’m working in a pretty tight woven, I thought…I’m going for it.

So I cut out all the pieces, along with a liner.  The pattern I was using was from Indygo Junction (Modern Silhouette Vest).

As usual, I did not follow the pattern completely.  I wanted it to be lined and reversible, so I modified along the way. I actually assembled the entire vest, then the entire lining, and pinned them right sides together. Then I stitched around the outside of the whole thing (very much like making a bag lining.) I also went back and serged all the unfinished edges. I left a space in the back hem to turn inside out.

***Do not sew the armholes together when it is inside out.*** Ask me how I know.

When I teach, I often tell students “Don’t worry. I make the mistakes, so you don’t have to.” It gets a chuckle, but it’s truth. I make a lot of mistakes because I try a lot of new things. I’m as comfortable unsewing as I am sewing. The seam ripper is your friend.

As long as the armholes are still raw edge,  the whole thing can be turned inside out and pressed.

You can finish the armhole by overlocking the right side and lining separately, and then turning them both under and topstitching. It forms a neat finish, with all seams hidden. The last step is to topstitch all the way around the vest and in the process turn under the back hem which was left open when you turned it inside out.

All seams are finished and I can wear it either way.

The back is pieced as well with the same line of Cotton and Steel fabric.

Final step is to add a button in front.

I think I really worried needlessly about the grain line.  It lays just fine, and the little pandas were cut on grain.

C’mon, that fabric is cute!

The bottom line is this: Don’t worry about the grain line QUITE so much when you are working with a medium or tight woven. Anything stretchy, and all bets are off.

Go ahead, try something new.

And don’t be afraid if it goes against the grain.

Of Endings and New Beginnings

The quilt shop where I worked closed this week.

I don’t think very many people understand what a small quilt shop does for a community.

Yes, we sold machines and fabric, notions, patterns, doo-dads and what-nots.

But that’s not what a quilt shop is all about.  We also provided support.  And inspiration.  And education.

And friendship.

We loved our customers and became close.  And they came to visit us when they had enough of the outside world, when they needed a place to unload, to unburden, to be among like-minded people.

We celebrated with them and mourned with them. And they with us. We all grew together and processed life through cloth and fabric, needle and thread.

The purchases?  They were just an extension of all that wholeness. We didn’t close because we weren’t doing well.  On the contrary, the shop was doing great.  But sometimes life intercedes and the owner was unable and unwilling to deal with the crushing demands on her time from her home life and work life combined.

I could go on about the number of quilt shops in this area that have recently shut down, or the economy, or the aging of the quilt-making market.  But I know better.  I’ve been around long enough to see that to everything there is a season.

I was fortunate enough to work there from the time that my son started first grade to the time he entered high school.  What a season!  From crayons to perfume…or deodorant, in this case.

I know that these things are cyclical. The market will re-emerge in a different way. Our customers will find their way to new and exciting shops and relationships, and the world will keep turning.

I will never stop sewing. In fact, I have some new and interesting plans for this blog. Endings provide the catalyst for new beginnings. Stay tuned.

Straigh line quilting on domestic machine

Here’s the quilt I was working on from my last post.  Completed, just need to add the label. Crazy squiggly lines through the color, straight and narrow through the grey.

The ombre blue on the back turned out to be exactly what I wanted.
Ombre modern quilt back
Colorful binding signals the end of this project.  But we never really finish our work as quilters, or as artists. We’re always ready for the next project.

I’m ready. Are you?

Women, Sewing and Art

We had some family in from out of town this week, and a day-long trip to the Art Institute of Chicago was on the agenda.

Let me start by saying that I checked with the information desk and they had no problem with me taking a few pics and posting them to a blog.  So that’s what I did.

As you know, the Art Institute is an overwhelming and inspiring experience. After a bit of roaming, I came across a painting of a woman sewing. On a whim, I took a picture.

(Just as an aside, I hate when I see people running up to a painting and taking a picture.  That is not how it is meant to be enjoyed. Look at it. Study the brush strokes. Discover the color palette. Contemplate it. Enjoy it. But whatever you do, don’t run up and take a picture and then run to the next.  That’s silly.  Lecture over.)

That said, I decided to record what I could of women sewing.  A few samples:

Renoir was the first I happened to see. It’s lovely…with such movement.  I did, however, study her hands.  What was she sewing that was so bunched up?  That’s not really how one would hold something for embroidery or detailed stitching.  Though her right hand is perfectly positioned to pull a needle through the fabric, her left is a bit awkward.  The white lace near her left arm is, I suspect, entirely an afterthought.  Go ahead, hold your finger over that piece of white lace. The whole painting recedes into mid-tones. While it is still gorgeous, it lacks enough contrast to draw your eye somewhere.  With that touch of white, your eyes go directly to her work and her hands, and it even lights up her face.

This one is done by Camille Pissarro around 1895.  Titled “Woman Mending.”  I studied her hands once again.  She might very well be sewing.  Or she might actually be knitting in some way.  Her project is rather amorphous.  Yet, I recognize her expression.  I have the same one when I’m trying to figure out what I did wrong.  After these two paintings, I started to wonder if male painters truly understood in any way how women work. They recognize that women are doing SOMETHING with fabric or yarn. The detail is so precise in every other aspect…down to the carvings on the leg of the table.  But what this woman is actually doing?  Based on this painting, it’s a mystery.

Ahh. Diego Rivera, 1936.  The Weaver.  As we move into the 1900’s, we see that women’s work becomes a bit more of a fascination.  It’s not just pretty things in a young woman’s hand, but a skill, a craft.  He even pays homage to her by including the tools of her trade. He admired this woman, I’m sure of it.

This last one I saw was from the 1800’s, St. Rose of Lima. She was a patron saint of the Dominicans, and the story says that she embroidered to raise money for her family and for the poor. In this painting, she is creating the symbol for Christ. (This pic is taken from a pamphlet I brought home from the museum.) I love that her work is clearly shown, and that her sewing was her employment.

I hope you enjoyed this little jaunt through the Art Institute. If, like me, you haven’t been there in over 20 years, I encourage you to visit again with new eyes.  While you’ll see plenty of women as subjects — in portraits, as madonnas and mothers, lovers and muses — these are the women I found that had a project. A purpose.

A reason to create.

 

The Trouble with Wool

The trouble with wool is…

There is no trouble.

Sorry.  It’s just lovely to work with.

Let me take that back.   The trouble with wool is…

It interrupts all the other projects I absolutely have to get done (because I’m sick of looking at them.)  I found a new project that just fascinated me because it is fairly complex.  I never start with an easy project.  I fall in love with the idea of a project and find out as I go along that maybe I bit off more than I can chew.

But this particular one is lovely.  Shown below is just the start of some of the pieces.

This pattern is from Wooly Lady.  The instructions suggested copying everything onto freezer paper, tracing it, ironing it onto the wool, cutting it out and then peeling away the paper.

I bought the whole wool kit from Wooly Lady (not cheap, OK?) I found that I just did not have enough of the fuscia wool.  So I substituted a rich red, which I think will be just fine.

Here is the whole thing cut out and pinned down.  I realize that I will have to take it apart in order to start stitching, but of course, I really wanted to see the layout. I wasn’t going to fuse anything down, but soon realized that the pins will cause distortion, so I’ll be using Misty Fuse to hold down the pieces while I stitch. I’ve never tried it on wool, but I think it’s all I’ll need, since everything will be stitched in place.

So after all that cutting, the fun begins. The pattern calls for a blanket stitch on basically everything, with some decorative stitching throughout.

Can I finish in time for spring?  I certainly hope so.

What do I still have to complete?

  1. My splendid sampler quilt.  I still have some blocks to do, even if I skip some.  I have ordered the book and am waiting for it to come in.
  2. My queen size hand-quilted quilt.  Yeah.  What was I thinking?  I am not Amish.  I will never be Amish. But it sits on the floor in my sewing room taunting me. The truth is, the quilt is more than 2/3 done.  A little bit of effort would get me over the top.
  3. My improv quilt.  At least I have a good idea as to how to finish this.  All I need is another 15 hours a day, and the energy to fill those hours.
  4. My knitted scarf.  Oh, so close!  Just a few more rows and cast-off!  Geez, I need to just DO IT!

As all quilters know, I have  another 10 projects in bags and containers that I have never started. Those new placemats for spring and summer?  I’ll probably squeeze them in.  A simple Magic Inch quilt from those fantastic people at Modern Quilt Studio?  Yeah, I can get that done in no time.  The cute throw pillow idea I just saw while out shopping this morning?  How easy is that in machine embroidery! And I’m getting sick of my old pillow cases and duvet cover…those are fast and easy…

The trouble with wool is…probably me.