Couching Vs. Embroidery

A friend had been struggling with adding the Wisconsin fight song to a quilt she did for her son. It was made of flannel and very cozy. It had a 2 inch inner border which really was ideal for the words of the fight song. She had already pieced it, and had it quilted professionally.

Over breakfast one day, several of us were talking about the best approach. My friend had purchased some minky-like yarn and was hoping to create the words by couching it. I suggested using the Bernina free-motion couching foot. It seemed like a good approach, but she was not sure she had the foot or knew how to use it. I thought I would test it out for her.

As you can see on my test-out, disaster ensued. The #43 couching foot let the yarn slide around too much to catch it, and basically the thread did not grab the yarn. So then I thought I would try the Bernina stitch regulator on zigzag using the free-motion foot. Slightly better results but still horrific. My experience with the couching foot has been to use very specific sizes and yarn has never worked well. I’ve had much better results with cording, which neither of us had.

I then suggested embroidery might be the best way to go.

After finding a font that was similar to what she wanted (cursive) I then created embroidery hoopings for all the words to go around the quilt. It had to be spaced decently so that it would be readable.

From the above pic, you can see that I positioned every phrase and laid it out on the quilt so that I would have a guide for spacing. The quilt was about a twin size. This took 17 hoopings, all done in the software from a TrueType font. I matched the bobbin thread to the back of the quilt, so, while you could see the embroidery on the back, it did not noticeably stand out. When finished, the embroidery words actually acted more like quilting.

We needed a satin stitch because a plain stitch of the words –or even a triple stitch–was just not visible.

In the end, I think the words ended up looking sharp, and added a lot of personalization and interest to the quilt.

Could we have managed the same result with couching? Maybe with cording, but almost certainly not with yarn.

I have seen that Bernina now offers couching inserts to attach to the #72 ruler work foot and I’m interested in seeing how easy that is to use. For our purposes, I think embroidery ended up being the best result.

What do you think?

It Was a Very Good Year

I’ll end the decade and year the same way I end every year, with a gallery of projects, moments, photography and meaning.

We all only have one life to experience, one world to cherish. May the new year and new decade bring us closer to appreciating the fragility and beauty of both.

Happy, Peaceful, Worthwhile New Year, friends.

Kimberbell For the Finish

Can you have too much Elvis in Graceland? Too many lights in Vegas? Too many labrador puppies?

I think not.

And you can’t have too much cute in Kimberbell. If you are going to do these designs, then you might as well go all the way. Get the dingle balls, the glitter paper, the froufrous and the doodads. Go all in.

I purchased the ornament designs recently to make for a group of quilty friends.

After one attempt, I realized that if I wanted them to be perfect, I needed to find not only the proper shade of gingerbread felt to highlight the features, I also needed the hoops, the accessories, glitter paper, a hot glue gun, and some patience.

Kimberbell is an exercise in excess and if you can’t do it at Christmas, you can’t do it at all. I am understanding the addictiveness of the Kimberbell phenomenon, but I don’t think it’s my permanent state. I love it at the moment and for special occasions. I’m not sure it’s my style forever and always.The same with Elvis and Vegas and labrador puppies.

Maybe you can have enough.

But for now, I’m on cuteness overload.

Have yourself a Merry Little Holiday.

Used a glue gun in 2019. Check. On to 2020.

P.S. After all the elaborate accessorizing of Kimberbell, I went back to simplicity for my holiday wrapping. I’m a realist. This stuff needs to be reduced, reused and recycled. Simple brown paper with scraps of fabric. The fabric can be saved and made into a quilt at some point, and the paper can just be folded and reused or recycled. I think we, as sewists, can balance adorable with sustainable. At least I’m going to try.

This One’s for the Girls

Get your mammograms.

That’s it. That’s the message. I know it’s no longer October and we’ve moved on from the specific Breast Cancer Awareness Month to the festive Hallmark Channel and holiday activities. But I want to emphasize the message again.

Get your mammograms, ladies.

My sister went in September. They found something and it’s been removed. Just not as easily as we had hoped. Things like this tend to get complicated.
But she is past the surgery and doing well. Of course, once she found out, I immediately made an appointment for mine. I got called back…something didn’t look right. After four agonizing days of wondering if I had the same problem, I was able to go back in and they took another picture and all was well. For now. They handed me a chocolate breast cancer ribbon and sent me on my way.

I know you’re all busy. We worry about our cholesterol, our weight, our eyes, our teeth, our hair, our families and their health, and we even worry about the planet.

But we all need to start to prioritize ourselves. It’s not our nature to do that. But I’m learning, especially as I get older, to make the time for myself. I can’t help my family or friends or anyone else if I’m not OK.

You,too. None of us is here forever. But let’s make an effort to be well while we’re here.

Ironing the Swiss Way

I had the opportunity, recently, to spend a little time at Bernina’s Creative Center in Aurora IL. During that time, Phillip Ueltschi, who is the fifth generation of family ownership of Bernina, came in to demonstrate the new line of LauraStar irons and ironing systems.

I thought I would share this with you. I have not had any time to play with these irons although in hearing and reading about them, they sound intriguing. Apparently they use something referred to as “dry steam” which doesn’t leave your clothes or fabrics damp.

The steam also does not burn your fingers or hands. It’s really kind of impressive.

LauraStar is designed in Switzerland (same place that Bernina is headquartered.) They are environmentally conscious and the irons are built to be supported and serviced for a minimum of ten years. Their steam purifies the fibers by killing 99% of germs and bacteria or mold, dust, etc. that can show up in textiles. So while you iron, you are also freshening and purifying your fabric.

As I said, I have not had any time to review these myself, from the perspective of a sewist. A new dawn in pressing and ironing? I don’t know, but it seems to me that the technology for irons hasn’t advanced all that much in the last 25 years. Seems like they’d be able to take advantage of thoughtful engineering and technology, just like every other industry.

I’m including the two brief videos of Phillip demonstrating the system. He did give me permission to put this on the blog…why wouldn’t he?

Have a look. The LauraStar systems will be available at participating Bernina dealerships across the U.S. soon. What do you think?

Saying Goodbye to an Old Friend

Yesterday, I went for my usual walk through the woods. I took the more scenic path this time, as it gets too buggy and overgrown during the summer for me to comfortably pass.

But this time of year, some of the weeds have died back, the crunch of leaves is underfoot, keeping some of the mud at bay, and the insects have thinned out.

So I took the road less traveled onto the ridge above the creek.

And that’s where I discovered the fallen sentinel.

This old oak had been standing at the top of the ridge, majestically leaning out over the cliff for as many years as I can remember hiking here. Its trunk is at least three feet in diameter.

The last time I passed through it was early spring, before the foliage filled out, while the creek gurgled its way around the bend. At the time, I could see the tree was getting too close to the edge. Or the edge was eroding too close to the tree. I gingerly stepped close and patted the bark of the tree. “My friend..this does not look great. But the cliff won’t erode that fast. I imagine it will be at least a few years.”

I went on my way.

The torrential rains of this past spring that prevented our farmers from getting their crops in the ground also took a toll on the ridge. As I wound my way through yesterday, I stopped in my tracks. The landmarks had changed, my bearings were rattled.

The earth had shifted.

And an old friend had tumbled.

I surveyed the area where the tree once stood. Everything had changed. Was it here? Was it slightly further back? I could no longer even recognize the place where it had once stood. It must have been months. It must have been the downpours. It must have been inevitable.

Still, I found myself sending a little blessing. And immediately wondering it the forest preserve would allow it to stay there, damming the creek.

I bowed my head and turned on the path to continue my journey. As I left I saw chipmunks scurrying and playing along the trunk and branches of the tree below.

Ever adjusting. Ever changing. Exploring a new landscape.

The Joy of Choosing to Ignore the Mass Market

Have you ever spent hours on Pinterest? Wandered through quaint little shops in a seaside village or a charming midwestern town?

I’ve spent some time in local shops and in large home decor stores. I’ve browsed online and been to craft shows and art shows.

And I’m discouraged.

I am missing originality and I am as much a consumer as everyone else. Where are all the original thinkers? Where are the creatives out there doing what’s never been done? Am I just missing it? How can I go from an exurb of Chicago to a small town in Wisconsin, and find basically the exact same products?

I loved the inspirational script messages at one time, but to be honest, aren’t they getting old? If one more piece of wood or vinyl sticky for my wall tells me to “choose joy” I’m going to scream. (What does that mean anyway? Choose joy. Instead of eating chocolate? Instead of crying? Instead of reading the newspaper? Instead of choosing to make a change? Instead of choosing to work out?)

I even have a little houseplant pot that bears the message “grow.” The plant is suffering. And I think it’s because the pressure is too great and the obvious command on its outer shell is intimidating and off-putting.

I might also be watering it too much.

Nevertheless, it serves as a reminder that these constant, script-y, positive messages are numbing us to the reality around us.

If you are INSPIRED to paint the face of a cow in purples, oranges and teals, bless your heart and the artwork will be beautiful. But if you are purchasing the same one that’s shown in a chain of stores across the country, because…umm…”farmhouse”, well, what’s the point?

And I say this with love in my heart for all things farm. I’m descended from farmers.

But anyone who thinks that farmhouse style begins and ends with anything but manure and straw and hay is kidding themselves. And the farmhouse I knew was cramped. We didn’t have a whole lot of decorative items. Most of them were practical. You needed a broom nearby to chase the bats that flew in at night. You needed a vacuum cleaner to get at the flies that swarmed the window sills in the summertime. You needed plenty of logs in the basement to keep the house heated all winter. You needed hooks and pegs for jackets and boots and fishing poles. When I was out in the barn no one ever had to tell me to “choose joy.”

Joy showed up uninvited. So did laughter and tears and hugs.

This week, let’s all go out and find something original to do. Something one-of-a-kind.

That’s the beauty of sewing. We can make things that no one else has made, and make memories that no one else has experienced.

Let’s be more authentic. And let’s ditch the mass market.

Slowing Down

Not sure if it’s my age, or my season of life, or the times we live in, but these days, I’ve been thinking a lot more about SLOWING DOWN.

I used to see how many quilts or projects I could finish in a year. How many blog posts? How many pictures taken? How many trips? How much fabric? What’s next? And next after that? And after that?

I’m not that old.

OK, I’m a little old. Old enough to realize that maybe we’re not meant to live our lives in such a constant hurry.

Richard Rohr, a Franciscan priest, has me thinking these days about what he calls the first half of life vs. the second half. The first half of life is pretty frantic…working, working, working to establish oneself, to acquire, to achieve and to “become.”

The second half of life (if we do it right, according to Fr. Richard) is when we’re better at giving it all back. Re-packaging, adding wisdom, paying it forward. Now, I’m certainly in the second half of life (even farther than that, unless I plan to live well into my hundred and teens), so I am feeling the need to do just that — down-size, slow down, appreciate more, waste less and generally live a bit closer to nature, to my origins. To leave a smaller footprint. To listen to what the world needs and not just the raging, never-filled loudness of my own concerns.

I think those of us approaching “elderhood” owe it to the next generation to be examples and thoughtful guides.

So with that in mind, I’m going to spend more time appreciating what is, and thinking about what needs doing vs. what I want to do.

Of course I will keep sewing and quilting. I have a room full of fabric that would be criminal to waste.

But what else needs doing?

That takes time, listening and contemplation.

I’m not an expert at this second half of life thing. Quilting friends will understand. I’m a UFO.

An Un-Finished Object.

Machine Embroidery by the Book

Through the years, I’ve come across a lot of machine embroidery books. Most of the time, I find they are complex, stuck in the weeds, focused on things that are not important, or are just plain hard to get through.

But this new book from Bernina really works. Because it is written and edited by Bernina educators, I thought it might simply be a hard sell for Bernina products. And make no mistake, it has no shortage of Bernina machine specifics.

However, it really gives a good breakdown of everything you need to know about machine embroidery, including tips and tricks that make life easier.

The images, graphics, tables and info in this book are all really easy to read. And the spiral binding is helpful. Nothing worse than anything step-by-step that won’t stay open.

Don’t get me wrong.

Wherever you purchase your machine, you should be sure to take the free classes they offer so you become comfortable with your machine (and all good dealers do that.). I don’t care how many books you read, you will not learn to hoop your fabric properly by reading. You can only learn that by doing.

When I teach classes, I tell my students that there are 3 variables in embroidery:

  1. Stabilizer.
  2. Your fabric.
  3. The density and size of the design

Any of these could and should change based on the others.

The book addresses all of these right up front. But more than that, it gets into techniques, and stitching on different types of fabric. Want to learn about minkee? It’s in there. In-the-hoop projects? Free-standing lace? No problem.

I’ve done all of these things, so I read with a critical eye. And I have to admit, all the categories are thorough and succinct.

Here’s a link to many of the techniques I have written about.

Will you read the book and be an expert? No. I tell my students that they will only become experts after making their own mistakes. No book can tell you what to do when your machine is acting up. Or if your thread is breaking or you haven’t cleaned your machine in awhile. These things come from experience and the only way to get that is to stitch.

But I’m putting this one on my top shelf and keeping it handy. It’s new this summer and is available anywhere Bernina machines are sold. It’s a solid resource for any machine embroiderer.