Machine Embroidery News

Posted on May 12, 2016 by edges

I have long thought that someone needs to create a place where we can all share news and ideas about machine embroidery. All the information seems so scattered online.

It’s a lot of work to find out what designs are new out there on all the different sites and to see some inspiration.

So I thought that once in awhile, I might put together a bunch of links to things that are new, or hot, or just inspirational in machine embroidery. I come across things regularly in my online travels, so I thought it would be fun to share…even if I haven’t had time to stitch some of it out yet.

Chalkboard ideas:

I’ve seen this in a number of places, and by now most of you are familiar with the chalkboard fabric out there. It’s easy enough to purchase at your local quilt shop or hobby shop.

Embroideryonline.com has some great new chalkboard floral designs. These are next on my list of embroideries to try.

Here’s another link to chalkboard ideas from emblibrary.com.

Need some ideas? Chalkboard creativity is everywhere on Pinterest. Check out this and this.

Machine Cross Stitch:

Here’s something else that’s fun. I made a few cross stitch designs last Halloween and loved it. I think the cross stitch look for the holidays is charming. Here’s a peek at my previous Halloween post.

But I found a site that specializes in machine embroidery cross stitch. They have designs for all occasions. They are appropriately named machinecrossstitch.com.

Again, on my list to do. I am intrigued by the possibilities.

New Releases as of May:

This is obviously not a complete list, but I hope to be able to build on this list every time I publish a Machine Embroidery News blog. So many times I have wished that someone would organize all this info for me. So now I’m doing it, and sharing it with you. And I’ll update it as often as I can.

embroideryonline.com (new releases)

emblibrary.com (new releases)

urbanthreads.com (new releases)

amazingdesigns.com (new releases)

I prefer to stay with major digitizers until I have some idea of the quality, but I am happy to publicize the place where you purchase your designs if you want to share.

In fact, if you have something you’d like to see with regard to machine embroidery, feel free to leave me a message in the comment bubble at the top of the post. I’d love to hear what you want to see more of in machine embroidery…whether it’s in the hoop, freestanding, contemporary or all of the above. Let me know, and I’ll try to do a little homework on it for next time.

For now, happy stitching!

Splendid Sampler Update

Posted on May 1, 2016 by edges

I love a good visual.

So I thought I would open with a map of all the participants in this project. Pretty impressive, right? Here’s a link.

According to Pat Sloan and Jane Davidson, the coordinators and people who apparently never sleep, we are now somewhere between 20,000 – 30,000. Could that be right? Many are not following on Facebook, but are making the blocks at their own pace. (Just an aside, I ran into Pat Sloan at the local Panera while in Paducah. She is absolutely as tireless and upbeat in real life as she seems online…and she looks just like her pics!)

A few observations…Japan and South Korea are in the house, but no one from China…a reflection of their internet access? So odd, because a disproportionate number of modern day sewing machines distributed here and around the world are built in China.

And no one from Greenland. Or Kazhakstan. (I know there are quilters there.) No one from Mongolia or from the middle of Africa. Much of the middle east is silent.

A surprising number from South America. I did not know we had so many quilters in that area. Australia and New Zealand, no surprises there.

Still not on board? If you are mildly curious, here’s a link to all the block patterns so far. They come up every Sunday and Thursday. If nothing else, it’s a great way to become familiar with new designers and block patterns.

We are somewhere around 22 blocks at this point.

Those are 6 1/2 inch blocks. As you can see, they are getting harder and harder for me to fit into one frame.

Lessons I’m learning about myself:

I like to piece. Easy, repetitive, simple piecing is unbelievably relaxing for me.
Paper piecing needs to be done in the morning or afternoon, but not after a big meal or if I’m tired or stressed in any way. I need all my focus on getting everything in the right place.
I didn’t realize how much patience I have lost for anything done by hand. Hand embroidery seems like it takes a lifetime. All I can think of is that I could have digitized this and had it done days ago. And yet, I love the way it looks and I love the threads.

This little design took me weeks. Of course, I’m not working on it every minute, just a bit of time here and there. Yet I am loving the texture of this thread.

I found this thread at the Wonderfil booth in Paducah. I’m sure many of you have heard of it before. It’s called Razzle. (Yes, they have a metallic looking thread that is called Dazzle).

Razzle has the weight of about size 8 perle cotton, but it’s a rayon. So for those of you who are cotton purists, you’ll just have to look away. Me, I fell in love with the sheen and the weight of it. It was a pleasure to use for hand embroidery.

This project is only about one fifth of the way done. Eighty or so more blocks to go.

Will my stamina hold up? Will I have the patience to learn more new techniques? Will I lose interest in the color scheme half way through? Will I actually create a setting for these blocks after the project is complete and finish the quilt instead of leaving the blocks neatly in their cellophane pockets in the binder?

I don’t know. I really don’t. A lot of life can happen in the next 8 months. We’ll both have to wait to find out.

Stay tuned.

Paducah in Springtime

Posted on April 26, 2016 by edges

For the first time ever, I headed out to Paducah for AQS QuiltWeek. It’s almost impossible to get a hotel there during that time. But a local expert who teaches every year had a conflicting teaching engagement and offered her room to me and a fellow quilter, with the request that we book it again for her next year….a great chance to see the show!

This opportunity came up fairly quickly, so I didn’t book any classes. The two of us were free to roam around the town in addition to the convention center and National Quilt Museum. Paducah is an industrial town, with a lot of old world charm and history…cobblestone streets, cozy shops and restaurants, and a beautiful riverfront area with a flood wall painted in murals that tell the town’s history.

The convention itself is enormous, with vendors spread out on two floors and a separate pavillion. This made it a bit confusing to find everything, and certainly a lot to walk through.

Along the way, we found local art quilter Emily Parson, with her quilt on display in the gallery.

Is that teal color stunning or what? The quilt pattern – Windy – is available now at Emily’s etsy shop. Check out her website or contact her at info@emilyquilts.com for more teaching information.

No trip to Paducah is complete without a stop at Hancock’s of Paducah.

I tried to take a panoramic shot of the store, so you could kind of see how enormous it is, but I don’t think it captures the whole thing. It’s an overwhelming adventure in itself and women were going by with cartloads full of bolts.

Finally, I highly recommend a stop at Kirchoff’s Bakery downtown. What a place to have a special treat–old fashioned bakery goods with artisan breads, muffins, and cookies. (Of course, you don’t want to miss the boy scout strawberry shortcake just outside at the convention center either!) Whatever else happens, you won’t starve in Paducah during QuiltWeek.

Daffodils Should Rule the World

Posted on April 17, 2016 by edges

They’re stunningly gorgeous, reliable, and resist pests. They require very little maintenance and they promote peace.

They don’t feed the hungry, but most world leaders don’t either.

Yes, daffodils should rule the world.

Until the peonies and irises come along, and then the duties will be shared.

But for now, we live in a daffodil world.

I started a couple of years ago with a cheap bag of bulbs from Costco. It produced lovely little yellow daffodils. So the next year, I turned to a catalog and purchased a few more varieties.

Now I am hooked, and these quiet, yet lovely little early risers of spring are enough to give me signs of hope every year. They cautiously poke from the ground when the frost is still in the air, when flurries are still flying, having full trust that the 70 degree weather will appear. And it does.

But look out daffodils, the hostas are not far behind, and I hear they are willing to redefine world order. They are fresh and green and itching to unfurl. Uh oh. Peace out.

Needle Punch Felting with Machine Embroidery

Posted on April 12, 2016 by edges

I’ve been playing with wool lately, and was reminded by the upcoming Bernina Inspirations class, that I can do needle punch using my machine embroidery.

For anyone who is a Bernina software user, Designer Plus allows you to do needle punch. All you need is the needle punch accessory (which you can use with or without embroidery).

When you set up your machine for needle punch, you need to do a few things:

Inset the needle punch needles in your needle holder in place of your regular needle.
Change your stitch plate (there’s a special one for needle punch) and be sure to tell your machine that you made the change.
Put on the correct needle punch foot. This not only helps to glide over roving and other wool or fabrics, but it also keep your fingers away from those needles. You’ll often want to hold the roving in place to keep your design intact.
Completely remove your hook system, not just the bobbin. Take everything out, and close the bobbin door.
Turn off your top and bottom thread sensors.

In the software, you literally just go to the Digitize toolbox, click on the PunchWork icon and digitize a shape. Any shape. And the software will generate one thread color to outline the shape, and then fill it with needle punch. It’s amazingly easy.

I digitized the shape of this tree, measured it out and laid out the roving within the parameters of the shape.

And then I watched the machine do all the needle punch work. Pretty impressive.

However, I did follow along with my fingers positioning and re-positioning the roving to be sure it stayed where I wanted it to be while the needle was punching.

Next, I layered an embroidery design on top. Since I had gone with a tree shape, I was reminded of the tree of life embroidery design in the Sepia Petals collection from OESD. I ended up using the tree background file.

The result was interesting both visually and texturally.

Still exploring my love of wool. It’s freeing and almost unpredictable as an art form or craft. I think that’s why I enjoy it so much.

If you are interested in learning more about Bernina Embroidery Software or needle punch, think about attending your May Software Inspirations at your local Bernina dealer.

You just never know what you’ll be inspired to create!

My Love Affair (with wool!)

Posted on April 1, 2016 by edges

I’m not really used to working with wool. It really doesn’t behave like cotton. Yet, its rich textures have just been a delight. I love the way thread sinks into it. I love the way thread can sit on top of wool, as well.

It inspires me.

I’m also a fool for anything hand-dyed and much wool is currently hand-dyed. (And not cheap, I might add.)

This project really has been one of texture. I experimented with a number of different Aurifil threads, but kept falling back on a nice 30 weight in different shades of neutrals. It has just enough substance to show up, but is not so thick that it starts to cause problems in the machine.

I wanted this to feel a lot like a walk in the woods near the house. Twisty, gnarly branches — barren, waiting for spring.

Here’s a peak at the back side of this project, for those of you who appreciate a look behind the scenes. I think it’s every bit as interesting as the front, maybe even more so.

I have done some projects with wool and roving before. This floral below was one of my favorites. Something about wool is much more free-form for me than rigid piecing in cotton.

If you find you are interested in experimenting in wool, there are plenty of places to start.

Wooly Lady has joyful patterns and plenty of hand-dyed wool.

Sue Spargo also has a lot of hand-dyed fabric and beautiful threads for hand embroidery.

Need to get the creative fires burning again? I recommend a quiet little rendezvous with a few different shades of wool…ooh la la.

The Splendid Sampler — An Update

Posted on March 18, 2016 by edges

Since this project goes on for 100 blocks, I thought I would give an update every 10 blocks or so.

For now at least, I am really looking forward to every block, searching for the time to make it before the next block rolls out. (New blocks come out every Sunday and Thursday). Even more than that, I am enjoying seeing all the other work that others are creating, on the Splendid Sampler Facebook page.

Here is a look at my blocks so far. This grouping includes one of the bonus blocks which I did before the group even started.

They include everything from hand embroidery to digitizing and machine embroidery, as well as needle-turned applique and raw edge applique. I have not done any paper piecing, though some of the blocks have made that available. I am holding out for a slightly more complicated block…one that would be more difficult to piece traditionally than to paper piece. Maybe a little flower or something like that. With 90 or so blocks to go, I’m sure something will come along!

Luckily, I’m still finding time to do some of my own work as well, which I will share in an upcoming post. I’m really into neutrals these days, with a pop of color, so I see a theme emerging. A peak at my next project.

Vintage and Ribbons and Lace…Oh My!

Posted on March 13, 2016 by edges

I seem to be the curator of all the textiles in our family (and also the antique photos and other historical family memorabilia. Please don’t ask me why I have Grandpa’s tax files from 1968. I truly don’t know. Furthermore, I don’t know why I keep them.)

This blog is not about my mother-in-law who in her own right was a spectacular quilter and craftsperson/artist. I do have some of her quilts and have already informed my 13-year-old son that if he ever decides to get married, if his bride-to-be does not lovingly cherish family quilts and heirlooms, then she’s simply not the girl for him. No pressure. My first-ever blog post was about my mother-in-law.

The cedar chest in our bedroom holds treasures from the beautiful, meticulous and patient artist-women who came before me — the women who taught me to use my hands to make things.

I literally have hefty-size bags full of handmade doilies, table runners and dresser runners. Grandma was the expert, but my mom made them as well

A friend of mine referred to it as tatting. I don’t think it’s exactly the same, as my family never ever referred to tatting…they worked exclusively with a teensy crochet hook for hours, days, months, years. I believe tatting sometimes requires something called a shuttle. A word of caution: when you google tatting, you can expect to learn about the tattoo process. Oops. Try lace tatting instead.

Anyway, the most impressive piece I own — to me,at least — is the tablecloth handmade by my grandmother.

It fits the standard kitchen table. But that’s not the most endearing part. It comes complete with a few gravy stains I can’t seem to remove. But that’s not my favorite part either. My favorite part is that at one point she apparently ran out of one thread color and finished it in another. Mom told me that Grandma finished the last bit of it in white, which you can clearly see in some of the photos.

I love this.

Upon closer examination, I think she started in white. And then changed her mind about the color, just judging by the way it is assembled. She switched to a taupe — apparently she had a lot more of that thread. Or maybe she really did run out at the very end. If you are a craftsperson, you know this feeling. For heaven’s sake, I’m almost done, who cares, this is fine.

I’m so glad this happened, because I’m not sure I would have believed that a human being actually created this. It is meticulously stitched in some of the tiniest little crochet stitches I have ever seen. And I am trained enough to recognize crochet stitches. Of course, I saw Grandma working on things like this, but when you’re a teen, it hardly makes it onto your radar.

These days, I’m awestruck by its beauty.

My mom made beautiful works of art in yarn. She was a master knitter, at least until she had a stroke 15 years ago. While I love the yarn, I have no space for all that, so my sister will have to pick through it.

I, however, poured over her sewing notions.

In the last few years, she made little homey decorations for the kitchen.

The trim says charming things like “You are the apple of God’s eye,” and “Taste and see that the Lord is good.”

I’m not ready to let any of this go. The women who came before us had real lives of creation, sharing, loving and giving. We honor them by appreciating their handiwork. All handmade. All the time.

The Splendid Sampler — The Beauty of Sewing With Others

Posted on February 28, 2016 by edges

I am loving the Splendid Sampler. If you’re not on board, jump in at any point, the water’s fine. So are the people–from all over the world. And everyone’s blocks are all so different! I was afraid we’d all end up with the same quilt, but everyone’s personality is shining through.

Here’s your link to jump in.

Here’s the Splendid Sampler Facebook page.

Because of recent happenings in my life, I got started a little late, and many people haven’t started at all. Some are just enjoying looking at others’ blocks.

I’ll share with you where I am so far.

I am missing one of the blocks which I haven’t had time yet to go back to, but another block came in today that I think will be fun to add. The fourth block, the vase and flowers (kudos to Jen Kingwell) probably inspired some of the most creativity so far. The blocks have been stunning and all different.

I created mine in Bernina Embroidery Software, but many others stitched theirs out by hand or did machine applique.

Like others, I am keeping a file of all the blocks and their instructions.

While I am in love with the color story of “Black Tie Affair” which I have been using, I am also adding some little touches from my own stash. As Bonnie Hunter reminded folks, a quilt is always more interesting when all the fabric doesn’t come from one collection. I agree.

In fact, I also did the little vase block in a whole other color story, just to see how I’d like it. It’s a little more ‘folksy” as I free motioned it, and I think it has it’s own charm. So maybe I’ll run some parallel blocks with these brighter colors too!

Truth is, anything can happen this year! I intend to do as much as I can, when I can.

A few things I’ve learned:

Don’t try to keep up with everyone else.
6 inch blocks sound easy. They’re not. They take more time than many 12 inch blocks.
Slow down and enjoy the process.
Enjoy everyone else’s blocks: get inspired, be challenged, but do your own thing.
Try new techniques.
Purchase the designer’s books. (Pat Sloan has 2 great books — one on applique and one on triangles)
SHARE! We really do want to see what you’re up to! On Facebook, Twitter, Instagram #thesplendidsampler

Hard Working Hands at Rest

Posted on February 19, 2016 by edges

I’m not OK.

Oh, if you ask me I’ll say I am. But I’m lying.

Sure I can go through the motions without crying at least some of the time.

But every now and then I’ll be driving along and suddenly be overcome with a panic and my mind screams, “MOM!”

She’s not here any more. I can’t call her and tell her the funny or moving thing that only she could understand. Half my grief is for me and half is for my Dad.

When you lose your mom, you feel like you lost the one person in the world who knew you best–the one person in the world who loved you no matter what. She knew your history. She gave you much of it.

It’s only been a few days, but I miss her. I miss how much she loved not only me, but my husband, my son and everyone else who needed a little mothering.

I recently read that when you lose a parent, you lose your past. When you lose a spouse, you lose your present. And when you lose a child, you lose your future.

I’m not OK with that. But no one ever asked me if that’s OK. No one ever promised me life would be fair.

No, I’m not OK. I’m sure someday soon, I will be.

But I will never be the same.

God saw you were getting tired, and a cure was not to be.

So he put his arms around you and whispered, “Come with me.”

With tearful hearts we watched you fade away.

Although we loved you dearly, we could not make you stay.

A golden heart stopped beating, hard working hands at rest.

God broke our hearts to prove to us,

He only takes the best.

–from Mom’s holy card

Edgestitch

Sewing is life. Life is art.

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