I am grateful for…

…family.  Immediate and extended.  Functional and dysfunctional. Near and far.

…friends.  Old and new. Tried and true and even those who think I’m the crazy one. It’s OK. They may be right.

…work.  Getting paid to do things I love, to work with my hands, to teach.

…students.  Passing along  knowledge to those eager to learn. It’s lovely.

…a roof over my head. After recent storms I am reminded – it’s a gift.

…a warm bed. Enough said.

…more food than anyone at our house will be able to eat in one day on Thanksgiving.  The abundance is embarrassing, and I’ve done absolutely nothing to deserve it.

…snow.  Giant quiet flakes or howling blowing tiny ones that swirl on the driveway.  There will come a day in a few months when this will come off the list and all I’ll be able to think about is spring.  I am grateful for that too–that every season holds its own beauty here in the midwest.

…volunteer work.  Knowing that at least I tried.

…creative outlets. Photography, painting, sewing,.  Without them I would explode.

…good books. (If you like a good mystery, start with “Still Life” by Louise Penny.  Follow it up with “A Fatal Grace”.  Both perfect for the season.)

..nature.  All of it.  From the tiniest seed to the vastness of the stars.  I don’t get it and I don’t have to.  I’m grateful just to be a part of the mystery.

…faith.  Knowing that I know nothing, and that my puny mind is not the last word.

…hope.  “Sun follows rain. Peace follows pain.”  (yikes, what a time to quote a Marie Osmond song).

..love.  Without it of course, the rest doesn’t matter.

Wishing you and yours a blessed, abundant, creative Thanksgiving. Thank you for reading this blog.

 

Autodigitizing a Bitmap and a Vector

These are two VERY simple procedures in Bernina Embroidery Software 7.  I am not going into any real details because any software owner should have classes available to them.  However, if you need a quick refresher or some basic help on getting started, this will get you there.

Autodigitizing a Bitmap:

Open your software to a new file, click “insert artwork” up at the top.  Navigate to your c: drive and find the “Embroidery Software 7” folder.  Double click to open all the design folders.  Double click on the “artwork” folder.

insertembbitmapNext find the butterfly, and click open to bring the bitmap into the software.  All the designs in the folder entitled “artwork” are bitmaps and can be loaded the same way.

insertartworkDe-select the artwork by clicking outside of it.  Then go over to the left side of the screen under the heading “autodigitize’ and click on “autodigitizer”.  Then click on the image. So many people forget that step and then get lost.  Once you click on the image, you’ll see a dialog box confirming the number of colors. Click OK.  Next a dialog box will appear that allows you to omit some of the colors.  Since you almost always want to eliminate the white background, click “omitted colors”, then click the white box.  Click “OK ” and the butterfly will become stitches.  It’s that easy.  Now, obviously, you can make changes to the design and edit it an infinite number of ways.  But before you send it to the machine, be sure to click on the image in the background and delete it.

autodigitizeDigitizing a vector:

Vectors should almost always be brought into the software using “Artwork Canvas”.  But before we get too far, be sure to move your Corel Clipart into your Embroidery Software 7 folder so you’ll have access to it.  The clipart folder contains only vectors, so it’s a great resource for artwork.

(Here’s how to move it:  Go to your “start” menu under “All programs”, find Corel Essentials 6.  Click ONCE.  You will see a folder called “content”.  Click ONCE.  Then right click on the “clipart” folder and hit copy.  Navigate to your c: drive and find the embroidery software 7 folder. Click TWICE to open it.  Find a blank area and right click, then click “paste”.  The clipart folder should now appear with all your other design folders.  By the way, the Mastery Book for Software 7 has all these instructions.)

Back to vectors.  Open a new file in Software 7.  Click on the “artwork canvas” icon to get into the Corel part of the software. This may take a few seconds the first time you go into artwork canvas.  It’s a big program.  When it’s open, click the “load artwork” icon, shaped like a flower, usually the first icon on the left.  You’ll get a dialogue box to navigate to a file.  Head over to your c: drive and find the clipart folder we just added. Click TWICE to open the folder.  At this point you can choose any of the files to open.  Once you click “open”, be sure to hit enter on your keyboard to place the file.

vector1With the artwork selected, simply click the button at the top that says “Convert” .  If you hover, it will say “convert vectors to embroidery”.

vector2And that’s it!  You’ll end up back in embroidery canvas with digitized art. Now, you may want to edit colors, stitch types, density, pull compensation etc.  But for the most part, you are digitizing!

Be sure to get a copy of the Mastery Books for Software 7.  It goes into detail on all the features and you’ll want to work with your dealer to learn the specifics.

Then get digitizing!  Now that you know bitmaps and vectors, nothing can stop you!  (Except copyrights, of course..but that’s for another time!)

 

 

 

 

 

 

 

Vector vs. Bitmap — A Primer for Machine Embroiderers

One of the most frequently asked questions by machine embroiderers is how to handle graphics.  In embroidery software, vectors are handled differently than bitmaps.  But the first step is to understand whether you are looking at a vector or a bitmap.

The main difference is that a bitmap is composed of pixels.  Here is a (very) brief presentation that will help you to understand.  In the next post, I will offer a few options for auto-digitizing vectors and bitmaps in Bernina Embroidery Software 7.

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When Your Simple Project Aspires to Become a Magnum Opus

Projects have a life of their own, you know.  Once you are hooked, they know that it will be difficult for you to just walk away.

That’s when they set their plan in motion. They become difficult. Tricky.  More complex than you expected.  They create challenges for you to overcome. They set up roadblocks to test your patience.  Sometimes you are even physically harmed. (Yesterday I cut myself with my embroidery scissors trying to pry my project from the nest that had formed under the embroidery hoop.)

There’s no cure for this.

An unruly project cannot be beaten into submission.  You have to get in the saddle and ride it, until it, or you, collapses from exhaustion.  You must never, ever submit to the tyranny of a project with a bad attitude.

Here’s the glimmer of hope:

You will learn something.  Even if the only thing you learn is that you will not do this again.  But more likely, you will learn perseverance.  You will learn technique, born of necessity, fired in the kiln of frustration.  You will learn to push through.

And when you are done, you will be stronger, grittier, one step closer to accomplishing almost anything.

Bravo.

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About 25% done.  Machine embroidery on a sweatshirt

About 25% done. Machine embroidery on a sweatshirt

Label Your Quilts to Preserve the Moment

Quilt label for my son's quilt

Quilt label for my son’s quilt

I have a confession.  I am not very good at remembering to make quilt labels.  Yet I know just how important they are and how much character they add to a quilt.

And the thing is, I love to make labels.  The one pictured above is digitized (I knew absolutely nothing about digitizing at the time) from a picture of my son when he was 4 years old.  He was blowing a dandelion.  I made him a quilt that year, from fabric that he loved, and I wanted it to be a remembrance of that time in his life.  It includes his name, the date the quilt was finished and of course, “Made with love by mommy.”

Right now, I have at least 3 quilts which need labels.  I can no longer remember exactly what year I made the quilts. (Sometime in the last 5 years).

I am especially guilty of not labeling anything that I make for myself or for our house.  When giving something away, I am a little better at the labels.  A little.

It seems irresponsible to make a quilt, put it out there in the world and not give it a label, an identity, a reason, a meaning.

At work, a customer told me she never puts on the binding of a quilt until after she adds the label.  I think that’s a good recommendation.  We all know that the last stitch of binding means we’re done. Complete. Finished. Put it away.  But making sure that label is in place before the binding is on, is a way to trick ourselves into getting it done.

So let’s agree to make the effort.  We never pass this way again.  My son will never be 4 years old again. But we can capture that tiny little season, and wrap ourselves up in it with a cup of hot chocolate on a cold October evening.

label2

Bernina Embroidery Software 7 – It’s Here!

sftware73I’ve been in training the past couple of days learning Bernina’s new embroidery software…Software 7.

Here’s the verdict.  I love it.

And believe me, if I didn’t love it, this blog would be about something else!

My first impression was that the new interface with its bright colors and larger icons made the software feel remedial — like entry level stuff — when we all know this digitizing software is probably the most complete consumer embroidery software on the market.

As I played around, I found all my “usual” icons in places that are far more intuitive than they were before.  I think beginners will have a much easier time understanding all the capabilities of this software.

A few general highlights:

–More single run lettering capabilities and fonts which will be perfect for quilt labels, recipes etc.

–Micro lettering, which will allow tiny satin stitch fonts

–A “Paint Bucket” which allows you to change colors in small parts of a design very quickly

–Easy-to-use, intuitive navigation…lots of little surprises here, but all good

–Improvements in slow redraw, including being able to redraw in artistic view

–Ability to change from Metric to US measurements with the click of a mouse

–Ability to add an article of clothing in the background of your design to calculate position, sizing

–“Quick trace” ability in Artwork Canvas (turning a bitmap into a vector)

–Stumpwork, trapunto, and raised satin stitch capabilites

Overall, the improvements were easy to figure out and to use.  That’s the hallmark of good design…when you “get it” right away.

I was able to load Software 7 on the same computer as Version 6, but most of you will want to simply update.

I can’t wait to spend a little time working on projects.  FYI, Bernina’s Software Sampler will continue to focus on Version 6 until the end of the year, at which point everything will be focused on Software 7.

Here’s a video provided by Bernina that will give you an overall idea of their new Software 7.

 

 

 

 

Back to Quilting

Transparency Quilt

Transparency Quilt

I started this quilt for my great-nephew weeks and weeks ago.  But, of course, life gets in the way.  Thankfully, he won’t arrive until sometime early November.  But this week, I got it pin-basted and quilted.  I am really liking the look of this quilt as it is very simple, yet sophisticated.

The baby’s room is grey, and the parents are not really into “baby-cutesy”, so I think this will work.

The quilting is very simple , with an overall pattern of horizontal stippling.  While I really love some of the very intensive, complicated quilting that is really popular these days, I also think there’s a time and a place for simplicity….and this quilt needed simplicity.

Getting started with machine quilting.

Getting started with machine quilting.

Have to say, I love Machingers for machine quilting.  I’ll never go back to any other type of gloves for control and gripping.  They also keep my hands very cool, which can be a big deal.  No one wants to work up a sweat while machine quilting.

Bernina Stitch RegulatorAlso big on my list is the Bernina Stitch Regulator.  Whatever your quilting skill level, this adds an ease that I have just come to appreciate.  I can go at any speed and have the stitches be consistent every time.  Now, I have done enough machine quilting that I don’t necessarily need the stitch regulator, but I have found that it makes the job so much easier on me.  My shoulders don’t hunch quite as much. And I go way faster because the size of the stitch is not a struggle.

Quilting is finished. Pattern by Weeks Ringle and Bill Kerr from their new book, "Transparency Quilts".

Quilting is finished.  Pattern by Weeks Ringle and Bill Kerr from their new book, “Transparency Quilts”.

Finally, I used a bias binding, as I want this quilt for my great-nephew to last a long time.  Bias binding has more fibers running along the edge of the quilt, so it will handle more washings, more rubbing, more overall use.  I always stitch the back of the binding by hand. I’m not one to use the machine for this final touch.  I’m not even sure why, except that I love the feel of hand-binding, I love the look, and I think it adds a touch of hand-sewn love to every quilt.

binding

 

All that’s left at this point is a quilt label for my great-nephew.

Well that’s a lot of black and white for one blog post, even though I am a big fan of black and white.

So here’s a finished pic of the fall placemats.  They are colorful, completed and set up on the table.

Happy Stitching!

Happy Stitching!

 

 

 

 

Feeding at the Feeder

feeding2feeding1feeding3My favorite moments are when the parent birds bring their babies to our feeders and show them how to eat.  I don’t know why but it stops me in my tracks every time.  The natural and spontaneous affection between Mama Cardinal and Baby is both endearing and instructive.  The baby is trusting.  The parent is protective and gentle.

It scares me when I watch the animals for any length of time.  It scares me because they behave just like we do in so many ways.

They are us.   We are them.

And I wonder if, just because we can agonize over every move, (Am I at the right feeder?  Will this feeder always be there for my baby? Is the food here healthy?  Am I teaching my baby the right things?) does that make us any different than the birds?  When all is said and done, we may be a little more complex and wonder about a few more things.

But it’s all a matter of degree isn’t it.  I can question more, care about more, work more, worry about more, suffer more.  But do I enjoy more?

The animals in our yard seem blissfully content with their lives.

Every day they teach me something new.

World's Most Relaxed Squirrel

World’s Most Relaxed Squirrel

Singer Featherweight in the House

Oops I did it again.

I bought a sewing machine.

But this one is cute.

1934 Singer Featherweight

1934 Singer Featherweight

This one has a beautiful straight stitch, comes with its own case and accessories, and similar machines are owned by millions of people.

But this one is from 1934.  That’s one year after they started making them in 1933.  These crazy little reliable sewing machines were made in virtually the same design from 1933 to sometime in the sixties. They can be looked up by date by checking their serial number on the bottom.  Older Singer Featherweights are worth a little more, but a lot depends on the condition.    This one has some wear and tear from use, but I would guess that’s to be expected.  I have some wear and tear from use and I was not born in 1934.

Featherweights really still hold charm in the eyes of many sewists.  Without any gimmicks or heavy duty electronics, these little machines just keep going.  And going. Parts for them are readily available on the market.  Resale value still holds.  Collectors are all still interested.  Some things just never appear to lose their value.