Once again, I’m on the path to create something new and fresh for Valentine’s Day. I don’t know why I always want to make something for this holiday…it’s so over-hyped and over-done already. Except that it’s mid-winter, and once I put the holiday decorations away, I’m left yearning to do something different. And I always find something unique for Valentine’s Day.
I noticed that I tend to use Kraft-Tex paper a lot for this holiday. Not sure why, it just inspires me.
These days, I am obsessed with little houses. So I found this set of cross stitch designs on Etsy, from Waxing Moon Designs. It is an e-pattern with 3 designs.
I don’t do cross stitch, but I digitize designs. So I used my Bernina Embroidery Software to re-create these in machine embroidery.
I love thiem.
Each one is adorably cute and just perfect for Valentine’s Day.
These are stitched out on the brown craft paper color of Kraft-Tex. I always use 2 layers of Stabilstick cutaway stabilizer when machine embroidering. I could easily turn these into cards or ornaments or hanging decorations.
Here is a post where I created an entire village for a Christmas tree skirt. (It’s from 2020.) And below is a video (I’m not good at videos.) showing all the different buildings in the little cross stitch town.
These days I’ve been kicking around the idea of a quilt village, with my own designs of tiny houses and a village. I have some ideas, but I have to work out the patterns.
I want to do them in applique, but it’s all still in my mind. I have other projects to finish before then.
So stay warm during this mid-winter season, and Happy Stitching!
We have all seen the books about making “scrappy” quilts. You may even own a few of them. I know I do. And most of them recommend separating all your fabrics into neat, color-coordinated bins.
Sounds great.
Have you ever tried to do it? I find myself asking questions. What about this colorful print which really does not seem to fit into just one category of color? What about this collection I purchased all at once which coordinates perfectly with the other fabrics from its own collection? Do I really want to wrench those apart? (Hello Downton Abbey fabric line from 6 years ago.) And then there are the pre-cuts. Am I supposed to take apart these charm packs and layer cakes and re-sort each and every fabric into different categories even though they are all from the same collection and look great together?
As you can imagine, my answer was no. In fact, I was feeling a little defiant. Guess what? There are no rules.
Normally when we talk about making a scrappy quilt, we just mean that we are going to make an ordinary quilt from some pattern we’ve purchased, by shopping our stash. I’ve done that many times. Here’s a nice pattern. What do I own that will look good? Most of the time, I can fill out the pattern requirements part of the way. But in the end, I’m missing the exact perfect shade of grunge that I need to finish. Or I just need 5 more fatquarters in this color family. Or I need a better binding or 4 yards of backing. No matter how hard I try using that method, I always end up purchasing more fabric. Which, frankly, is not my goal.
That old saying? She who dies with the most fabric wins? No she doesn’t. She just becomes a pain in the rear end to her family AFTER SHE’S DEAD.
That’s not the legacy I want to leave. Too many quilts? Yes, my family will grapple with that, but at least those are useful.
Anyway, I might be in a dark place because a friend of my sister’s, and a family acquaintance, just suffered a severe health emergency. (not COVID.) But she is middle-aged, and was healthy and vibrant until this struck. And now she’s got a long recovery ahead of her. I’ve had her on my mind so much recently, that I decided to make her a quilt. One that was scrappy but strong…a message I want to convey to her. Lots of pieces put back together in odd ways can make something interesting and strong and vibrant.
So instead, I started with whatever fabric I had been hanging onto for years, moved from bin to bin, never having a purpose. I put them all together in a pile and challenged myself to make a quilt.
And this is the result.
It’s made from a mini charm pack bundle I was given as a sampler at Quilt Market years ago, along with a couple of charm packs, and scraps of red and coral fatquarters. The backing is 4 yards of vibrantly red fabric. I feel like this quilt is saying:
I’m strong.
I’m tough.
I’m fierce.
I break the rules.
Don’t f$%^ with me.
And that’s the message I hope is conveyed to our friend who will receive it. Ride it out. Don’t let anyone tell you that you are weak. Show them you are a survivor. Be bold.
So my challenge to you today is this: If you’re feeling like you’re in a rut, break out. Do the thing you are told you should not do. Put two colors together that don’t belong. Simplify. Complicate. Whatever it takes to shake it up for you. And then pass it on to someone else who really needs the courage.
I update this sign on my door with the seasons. And I thought it would be cute to put up something for Valentine’s Day.
So I shopped around some of my favorite machine embroidery sites, looking for a charming Valentine’s Day design.
I was confronted by a trashy array of cupcakes, lips and kissing pigs. (OK, I know some of you would love the kissing pigs.) But it’s not what I was looking for at all.
And the hearts .So many hideous hearts. Big, ugly, hearts with loads of swirls and ornation. Gathered in multiples, in solid colors, outlines, curving, distorted, nouveau, deco, modern, punk, angry, broken, baroque, and dipped in gnomes.
I hated it all.
Truly, this is a message to all machine embroidery designers: You can do better on Valentine’s Day.
I would have settled for one of those vintage red trucks with a load of flowers and sweets…tastefully done, with some script. Or how about all the charming old school Valentine’s from the forties? Wouldn’t it be cute to have a line of those in embroidery? Or how about those old Victorian Valentine’s Day cards? Tell me you couldn’t create some designs that played off of those? Or anything cozy? After all, we’re still in the dead of winter.
Anything other than the selection that’s available now. Which is gag-worthy.
And I say that with love in my heart for artists and designers.
So after all of that, I settled on a design that barely hints of Valentine’s Day, but is warm, inviting and sweet. And it will look just as good on February 15 as it does right now. In fact, it will even carry into spring.
It’s a bit stitch heavy, but looks great against the black.
I did the design on black Kraft-tex, which is surprisingly good at supporting machine embroidery. The trick is to use two layers of cutaway stabilizer.
I still have to figure out how to create a Valentine for my husband this year. Sadly, it won’t likely be machine embroidery, though I had hoped to find something charming. I thought about the kissing pigs, and then decided against an off-color joke about our pandemic weight gains.
I have other tricks up my sleeve, though.
So carry on, sewists. Surround yourselves with bright colors and whatever helps get you through the day.
I am not ashamed to say I had a rough summer. Between the pandemic, and a kid who’s still in the school system, I managed to fall while taking pictures. Hard. On my knee, but did a number on the ankle too.
Wound up in the ER, and x-rays were fine, but still healing. On top of that, I have the usual “You know, at your age…” health issues. But hard as I tried, I was not able to avoid going to a doctor until coronavirus is eradicated….as I had hoped. Who am I kidding?
So layer on top of that all the societal and natural disaster issues we’re facing and I made a decision:
TO PAINT MY FRONT DOOR CORAL.
Why? That’s a good question. I was all set to go with teal. And then I randomly saw a pic online of a coral front door. And I couldn’t get it out of my head. You need to know that my front door is a very dark, forest green. It has been that way for 18 years.
But it suddenly became my obsession. A primal scream, I think. I NEED A CORAL FRONT DOOR.
Since then I have discovered, to my surprise, that a front door that faces south should indeed be red or orange according to feng shui principles. Who knew. (Not me.) So, apparently, I did the right thing.
It was not my favorite. It went on kind of gloppy and was a semi-gloss. I’m generally a satin girl. And please note, that while I was doing this I was NEVER sure it was going to work. My only thought was that if I ruined the front door, we needed a new one anyway.
The first coat was pretty hideous. It was a lot of work just to get that far, and needed several hours to dry. I had to keep going back and smooth over places that wanted to drip. At this point, I was really torn. Give up now and paint it black? Or forge ahead and see where I end up. Anyone in their right mind would have hired a professional to salvage what they could.
I went for it.
Two more coats later.
My husband strolled by while I was in the process. “You’re making the front door pink?”
“IT’S NOT PINK, IT’S CORAL!”
He and my teenage son exchanged glances and backed away. They don’t really care.
But at least here’s where I get to the sewing part. Now I needed something to put on the door.
I have some black Kraft-tex, and so anyone who’s read this blog in the past, knows I love my Kraft-tex. I wanted a round doorhanger, but one that I could update seasonally. Or just when I got tired of it.
But the tool has a maximum circle size of about 8.5 inches. Not nearly as big as I wanted it.
So I approached my husband with the tool, and I told him what I wanted to do. He has a mill and a 3D printer. I wondered if he could help me find a way to get bigger circles.
He sniffed around the tool for a bit, while I went off to make dinner. An hour later he handed me an extender. Then he attached it.
He simply fitted it to the device, added a screw and bolt to hold it together and, like magic, I can now make circles about twice the size. It was amazing! And it worked perfectly. My new circle was somewhere near 18 ” acorss, almost the entire length of the Kraft-tex paper.
Now I just stitched my embroidery out and attached it with a single stitch to the the circle. I made slots so that I could switch out the seasonal part at any time.
I finished it up with a ribbon and hung it with a flourish.
I have no idea how anyone else is coping. I hope you are doing well.
I highly recommend doing something you’ve been afraid to do. (Let’s not get reckless here, I’m talking about painting a door, or a room, or yikes! a dresser.)
I didn’t know I needed this color in my life. Nor do I know how long I will want it. But it showed up at the right time for me.
Almost two weeks left before the Fourth of July and all I have left is the label. (Have I harped enough about labels? Every quilt needs one.)
At the very last minute, I decided to scallop the edges of this quilt. Don’t ask me why. Because I don’t know. It was lovely without it, but I felt like I wanted a bit more…maybe a touch of femme or softness, or something to make it distinctive.
The pattern comes from a book called French Farmhouse by Marie Claude Picon. The quilts are all designed for rustic simplicity, which is lovely. But I never found a pattern I didn’t adapt at least a little. So same with this one.
The quilting, as you can see on the back, is all stars and stripes, in keeping with the theme. I always quilt on my domestic machine, a Bernina 780 (which was a precursor to the current 790.) I don’t enter my quilts in competitions–for obvious reasons. They are purely for the pleasure of creating. So you can see that I have a lot of fun with quilting, and I’m not hung up on perfection. As the Amish like to say about their quilts, “Only God is perfect.”
I like my quilts to be functional.
About the scallops. Don’t overthink.
I literally dumped some thread out of a Polish pottery bowl in my sewing room functioning as storage. I turned it upside down and started drawing the scallops. I did not measure. I did not plan. When I got to the last two or three at the end of a row, I just made minor adjustments so it fit. I don’t even know the size of the bowl.
So I assure you that you can enjoy creating scallops as a quilt edging. However, I DO have some tips because when you get to sewing, you just need to be prepared.
Scallop-Edge Quilt Tips
Cut before you sew. I know this sounds crazy, but a lot of books and instructions will tell you to draw the scallops and sew your binding on before you trim the scallops into shape. The argument is that the fabric is less inclined to stretch or distort. It’s stable and you have a straight piece on which to work. Feel free to go ahead and try it that way. Maybe it works for you. But I really need to see my cut edge. I like to work directly on the shape that the quilt will be in the end. It may not be ideal for everyone, but this is about what works for you.
Pin each scallop one at a time before you sew. Not gonna lie. This is a slow process. But you will get better results.
Use bias binding. Yes, you knew that. Of course you did. But, I’m always surprised by the number of quilters who don’t ever use bias binding on their quilts–even those that are meant to be passed down as heirlooms. When a binding is on the straight of grain, all the wear-and-tear is on about two or three threads going longwise over the edge. When the binding is cut on the bias, you have hundreds of threads that support the edge. It will last so much longer. I wrote about this in a previous post.
Don’t stretch. When you work with anything on the bias, it’s easy–really easy–to pull the fabric. It’s easy (and tempting) to stretch it into position. But this will just cause the quilt to curl and not lay flat. Fabric is very compliant and is happy to work with you. But you have to understand the ways it wants to be handled. The puckering that you see in the pinning, is exactly what you want to see. This gives the curve enough “give” to flip around to the back side.
Above, you can see how the binding is pinned in place. When you get to the deepest part of the scallop, you’ll leave the needle down and turn the quilt. Stitch a tiny bit down onto the next scallop and then pin the rest into place. Here’s a book called “Happy Endings” which gives a good illustration of attaching binding to a scallop. It’s not hard, but it’s not something you can just whip right through like a straight binding. It takes a bit of patience and maneuvering.
And I think patience is something we could all use a bit more of these days. I know that quilters sew love into every stitch. It’s what moves us forward.
It’s a question that appears at the end of every newsletter that I receive from Fr. Richard Rohr at the Center for Action and Contemplation.
Action. And contemplation.
There’s a time for both. The question is: What is mine to do?
I know a lot more about what is probably NOT mine to do. It’s probably not mine to march in the streets. I am getting to the age where pandemics and crowds are a bad mix for me. Younger people are much better at those things.
It’s probably also not mine to tell you what to think. You have your own ears and eyes and soul. It’s your work to worry about what you think.
But what is mine to do?
It is mine to listen. It is mine to raise my son to listen, to have empathy, to use his critical thinking skills. It is mine to contemplate. I have had many, many days of action. And my time of action will come again. But I can support and raise people up. I can stand with those who are oppressed, even if I have to do it from my house. From my perspective of privilege I can appreciate when it might be time to shut my mouth and listen…listen to the voices of those not like me.
Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly. –MLK
Those words were as true then as they are now, maybe even more profoundly right now.
Last year I started working on a red, white and blue quilt. It is a patchwork of many, many pieces of different fabric in every shade of red, white and blue that I could find. I once had a friend ask: Why would someone want to cut up perfectly good fabric? As quilters we know why. One piece of fabric may be strong and singular and dominant.
But a quilt made with many colors, blended together and working in harmony is a much more perfect…union. And the painful thing is that the fabric must be cut, and things get ugly and a lot of hard work must be done before anything even resembling coherence starts to emerge.
But it does emerge when we do the work. And you can follow a pattern or freestyle it. But when it’s all sewn back together as one piece of cloth, it’s special. It’s better than the sum of a bunch of single fabrics. It’s triumphant. And participating in that?
No one in our house is allowed to use the phrase “new normal” or “in these uncertain times”.
For obvious reasons.
But for reasons mostly unknown to me, I dug deep into a closet not long after the stay-at-home orders began, and I came across a puzzle we never assembled. It was the only one in our home. 750 pieces. Challenging but not discouraging. It was an illustration of a floral shop during Valentine’s Day, which, of course, had passed at the time we were assembling. But it was loaded with cheer–flowers, cards, knick knacks, doodads and color. Lots of color.
I set it out on our coffee table and worked on it during the news (which was quite a bit at first, if you remember). Then I started doing it during briefings from the task force, from governors, etc.
Then one day our teenage son walked over and started working. He was in the midst of preparing for AP Exams. In case you hadn’t heard, they were canceled in their normal form, and were replaced by a very stressful, time sensitive, online interpretation. A year’s worth of studying and work reduced to 2 questions…and half the battle was the stress of wondering if all your technology would hold up. He sometimes stared at those puzzle pieces with me.
I understand if you’re not a puzzle person.
I guess not everyone is. But if you are visual–as I am–or spatial–as I am, you very likely find them relaxing. I do crosswords from time to time. But I find I just am not that up on pop culture or TV or movie stars or Greek mythology. When I used to play Trivial Pursuit, my default answer was always “Barbra Streisand.”
Neverthless, there’s also something meditative and calming about the images. I am very particular about the images I choose for puzzles. I don’t want a loud abstract spiral of pure color. That just seems frustrating and vague to me. But a homey scene with quilts and puppies and red barns and all the reassurances of a time that was simpler? Yeah, that’s for me.
The puzzle above was probably one of my favorites. If you find it anywhere, and you enjoy doing them, I highly recommend this one. And shout out to artist Chris Bigalow. His outstanding illustration is so full of tiny details, that I found myself studying and appreciating every piece. Inside the windows? All those little scenes are tiny puzzles…puzzles within puzzles. What a fantastic graphic. From the details in the upstairs windows to the coffee mug that says “I heart puzzles”, this is just a gem.
What’s the next one in line? I decided to try having a puzzle made from one of my own images. As much as I enjoy floral photography, I prefer illustrations on my puzzles. But I did have one image that I thought would make a fun puzzle.
So this next one is a photo I took while on vacation. It’s always been one of my favorites and the color, cheeriness and general tchotchkiness (is that a word?) would be fun.
Puzzles calm me. I know that people attribute a lot of good things to puzzle-solving. But for me, when working on a puzzle, I am distanced from the chaos and scary-as-hell reality we live in. I’m wrapped up in a world of shapes and color. I used to shun them because, really, what in the world is productive about jigsaw puzzles? You spend hours and when you’re done, you put it all back in the box and move on.
But that’s become a metaphor for me. A metaphor for life. We scramble, we work, we delude ourselves into thinking we must always be productive, but when it’s all over, it’s over. And has anything that any of us done had true lasting value? Our quilts, maybe. But only if someone truly appreciates them. Otherwise, they are just a way to keep ourselves going.
We all do what we have to do.
Next post I’lll share some sewing.
But for now? We keep a puzzle on the coffee table.
Can you have too much Elvis in Graceland? Too many lights in Vegas? Too many labrador puppies?
I think not.
And you can’t have too much cute in Kimberbell. If you are going to do these designs, then you might as well go all the way. Get the dingle balls, the glitter paper, the froufrous and the doodads. Go all in.
I purchased the ornament designs recently to make for a group of quilty friends.
After one attempt, I realized that if I wanted them to be perfect, I needed to find not only the proper shade of gingerbread felt to highlight the features, I also needed the hoops, the accessories, glitter paper, a hot glue gun, and some patience.
Kimberbell is an exercise in excess and if you can’t do it at Christmas, you can’t do it at all. I am understanding the addictiveness of the Kimberbell phenomenon, but I don’t think it’s my permanent state. I love it at the moment and for special occasions. I’m not sure it’s my style forever and always.The same with Elvis and Vegas and labrador puppies.
Maybe you can have enough.
But for now, I’m on cuteness overload.
Have yourself a Merry Little Holiday.
Used a glue gun in 2019. Check. On to 2020.
P.S. After all the elaborate accessorizing of Kimberbell, I went back to simplicity for my holiday wrapping. I’m a realist. This stuff needs to be reduced, reused and recycled. Simple brown paper with scraps of fabric. The fabric can be saved and made into a quilt at some point, and the paper can just be folded and reused or recycled. I think we, as sewists, can balance adorable with sustainable. At least I’m going to try.
That’s it. That’s the message. I know it’s no longer October and we’ve moved on from the specific Breast Cancer Awareness Month to the festive Hallmark Channel and holiday activities. But I want to emphasize the message again.
Get your mammograms, ladies.
My sister went in September. They found something and it’s been removed. Just not as easily as we had hoped. Things like this tend to get complicated. But she is past the surgery and doing well. Of course, once she found out, I immediately made an appointment for mine. I got called back…something didn’t look right. After four agonizing days of wondering if I had the same problem, I was able to go back in and they took another picture and all was well. For now. They handed me a chocolate breast cancer ribbon and sent me on my way.
I know you’re all busy. We worry about our cholesterol, our weight, our eyes, our teeth, our hair, our families and their health, and we even worry about the planet.
But we all need to start to prioritize ourselves. It’s not our nature to do that. But I’m learning, especially as I get older, to make the time for myself. I can’t help my family or friends or anyone else if I’m not OK.
You,too. None of us is here forever. But let’s make an effort to be well while we’re here.
Have you ever spent hours on Pinterest? Wandered through quaint little shops in a seaside village or a charming midwestern town?
I’ve spent some time in local shops and in large home decor stores. I’ve browsed online and been to craft shows and art shows.
And I’m discouraged.
I am missing originality and I am as much a consumer as everyone else. Where are all the original thinkers? Where are the creatives out there doing what’s never been done? Am I just missing it? How can I go from an exurb of Chicago to a small town in Wisconsin, and find basically the exact same products?
I loved the inspirational script messages at one time, but to be honest, aren’t they getting old? If one more piece of wood or vinyl sticky for my wall tells me to “choose joy” I’m going to scream. (What does that mean anyway? Choose joy. Instead of eating chocolate? Instead of crying? Instead of reading the newspaper? Instead of choosing to make a change? Instead of choosing to work out?)
I even have a little houseplant pot that bears the message “grow.” The plant is suffering. And I think it’s because the pressure is too great and the obvious command on its outer shell is intimidating and off-putting.
I might also be watering it too much.
Nevertheless, it serves as a reminder that these constant, script-y, positive messages are numbing us to the reality around us.
If you are INSPIRED to paint the face of a cow in purples, oranges and teals, bless your heart and the artwork will be beautiful. But if you are purchasing the same one that’s shown in a chain of stores across the country, because…umm…”farmhouse”, well, what’s the point?
But anyone who thinks that farmhouse style begins and ends with anything but manure and straw and hay is kidding themselves. And the farmhouse I knew was cramped. We didn’t have a whole lot of decorative items. Most of them were practical. You needed a broom nearby to chase the bats that flew in at night. You needed a vacuum cleaner to get at the flies that swarmed the window sills in the summertime. You needed plenty of logs in the basement to keep the house heated all winter. You needed hooks and pegs for jackets and boots and fishing poles. When I was out in the barn no one ever had to tell me to “choose joy.”
Joy showed up uninvited. So did laughter and tears and hugs.
This week, let’s all go out and find something original to do. Something one-of-a-kind.
That’s the beauty of sewing. We can make things that no one else has made, and make memories that no one else has experienced.
Let’s be more authentic. And let’s ditch the mass market.
