I Wonder if Tolstoy Ever Sewed a Button

From the words of the master:

To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then, by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling – this is the activity of art.

Art is a human activity consisting in this, that one (wo)man consciously, by means of certain external signs, hands on to others feelings (s)he has lived through, and that other people are infected by these feelings and also experience them.

I think Tolstoy was brilliant, but I have a soft spot for many of the Russian novelists. Tolstoy, Dostoevsky, Chekhov, Gogol, Pushkin…all that angst, guilt, stream of consciousness (not to mention the Russian names). They do the heavy lifting, for sure.  And somewhere in the middle of it all, I find scraps of truth.  Maybe it’s my European ancestry that harmonizes with this dark bunch.

So when Tolstoy tackles the definition of art, I listen.  He knows art.

But, Dear Tolstoy, what about the bodies of work that never get seen?  What about the unpublished novels, the paintings in the closet, the songs scribbled on scraps of paper and buried in desk drawers, the dance, done at home, the private journals, or for that matter, the flower deep in the woods, the snowflake on the mountaintop, the galaxies we never would have seen if not for Hubble?

You, Mr. Tolstoy, may call them many things, like creations, or nature.  How, you may ask, can it be labeled art, if no one knows it exists?

I wish I had an answer.

Your definition of art is by far one of the best I have ever seen.  But where is the soul of the artist?  If work is never shared, or never recognized, is it still art?  If not, then what exactly is it?  Because work done in private may be just as powerful as work shared publicly…for the creator at least.

I leave you with this thought, dear Tolstoy.  If art is only art when it communicates to others, then why do any of us strive to create in private?  Why do we put down the brush or the pen and set something aside?  What would happen to the world if we never bothered with the pre-art, the first drafts, the disposable stuff, the mediocre?

Again, I wish I had an answer.

But I know this much:  the world would be a shallower place without it.

 

Who Sews?

When I first started working again after our son began school full time, my neighbor and I were chatting about work. I told her that I worked for a woman-owned small business very close to home…a sewing store.

She looked at me quizzically and said…”Who sews?”

Behind her words were the unspoken questions of “Who has the time for that?  Why would anyone take up such an old-fashioned, albeit charming, skill?  Isn’t that what a grandma does?”

And I realized, that in the world of non-sewers, there seems to be a real lack of understanding of the whole sewing world/phenomenon.

Who sews?

Having spent a number of years in a sewing store now, I can give at least anecdotal answers to that question.  But it may surprise you.

–Young moms.  All you have to do is glance at etsy or pinterest to see this group.  They will try anything with a sewing machine! And they are also the source for a lot of new fabric designs, patterns, and books.

–Newlyweds.  Starting fresh, they get excited about creating together.

–Middle-aged women with highly stressful full time jobs.  They sew for their sanity.  Truly.

–Artists, artisans and crafts people, in general.  Once they learn to sew, the ideas keep pouring in.  One can never know it all.  They find self-expression in the techniques and fellowship in classes.

–Men.  They are usually drawn to the creative — tackling the technical challenges with gusto.

–People who are grieving or caregiving.  Sewing is such a healing task, especially a quilt made of a loved one’s fabrics or shirts. Not long ago, a woman told me she spent the last year of her husband’s life working on hand quilting a wool blanket, and it kept her from losing her own mind, as her husband faded farther and farther away.

–Volunteers.  If you ever want to know who makes pillowcases for cancer victims, quilts of Valor for the families of veterans, lap quilts for friends in chemo, quilts for women’s shelters, hospital gowns for kids in Haiti, and on and on and on, let me fill you in.  Sewists and quilters.  I don’t know anyone who hasn’t made something for someone else

–Retirees and empty nesters.  Finally, finally, they decide to do something for themselves. Which is ironic, because the first thing they do is make something for their kids or grandkids.

–Anyone with a love of fabric.

Who sews?

Maybe the question should be:

Who doesn’t sew?

 

 

 

 

Machine Applique in Neutrals

What did you do over the holiday break?

Mostly I did a whole lot of nothing, besides cook and clean up.  But in between, I did some reading and re-watched Season 3 of Downton Abbey so that I could at least remember everyone’s name when the show starts up again…(this Sunday in the USA, just in case you’ve been living under a rock.)

In the beginning...it's all just cutting out shapes.

In the beginning…it’s all just cutting out shapes. Don’t forget to use Fuse and Fix on the back!

Anyway, I also worked on an appliqued pillow cover.  The pattern is in a new book called Knockout Neutrals by Pat Wys.  I fell in love with this whimsical pattern.  It’s not usually like me to be charmed by vines and cute-shaped flowers, but the neutral palette of this particular bouquet and the overall ambitious and unusual size (I had to sew 2 -18 inch sq. pillow forms together) made it surprisingly appealing.

Knockout Neutrals by

And the neutrals work for me. Did I say that already?

Mastering Machine Applique by Harriet Hargrave.

A friend also lent me her copy of Harriet Hargrave’s amazingly detail-oriented Mastering Machine Applique.  Trust me, there’s an art to precise machine applique, and while I grew more adept through this project, I don’t consider myself an expert.

I used a blanket stitch throughout, which is probably one of the toughest stitches to get perfect around tight curves and sharp points.  I am a glutton for punishment.  Lucky for me, I am not a perfectionist.

Applique detail.

Applique detail.

One of the interesting aspects of machine applique is its meditative qualities.  You’ve heard of “Zen and the Art of Motorcycle Maintenance”?

Well, I would like to introduce you to “Zen and the Art of Machine Applique.”  Following the lines and repeating the same patterns over and over and over, while still accomplishing something is a tremendous stress reliever.

Your focus at any given moment is not on the big picture, but on each tiny little stitch.  One by one, moment after moment, little by little. Stitch, turn, stitch, adjust, stitch, stitch, stitch.  It’s enough to keep you engaged, but not frustrated.   How refreshing.

And again, little by little, you make progress.  In a world where everything is rushed and instantaneous, where food is fast and craftsmanship is outsourced to mass-producing factories in other countries, working little by little is peaceful.

Now it’s January and the bitter cold is settling in again. It’s “Finish a Project” month for me. One down.

Thousands to go.

Final machine applique

 

The Most Beautiful Place on Earth

twigThe temperature is dropping all day today.  By tomorrow morning, we’ll be below zero.  Not unusual for this time of year in the midwest, just a reminder that we don’t control much.

I’ve had the privilege of having a week off during these holidays, and while I’ve done some sewing and done some relaxing,  I’ve also had the chance to get out for a walk or two. I have a stunned appreciation for the beauty of nature in my immediate surroundings.

You just have to know where to look.

I ran into a coyote the other day…one of my biggest fears.  He did a mild assessment of me, and, as my husband likes to point out, he saw that I was not walking a chihuahua that would make a good lunch, and he turned away.

Nevertheless, the winter landscape never fails to leave me in awe.

I am sewing, I promise, and I’ll share some of my latest projects soon.

But for now, a brief winter interlude.

winter hikeferson creekfersoncreek2chicken soup

 

Christmas Embroidery

Maybe I’m feeling blue this Christmas.  Maybe I’m just inspired by all the recent snow we’ve had.  Whatever the reason, the other day, I was driving down Randall road and a small grove of trees (weeds?) against a snow bank caught my eye.

On a side road I can usually stop and take a picture to capture the scene and the light.  But not this time.  This time I was in a hurry, running around doing Christmas errands, etc. No time to stop and enjoy anything. No time to stop and take artsy pictures. No time.

But the little vignette stayed with me.

And eventually, I had to sketch it out.

Within minutes, I had embroidered it in my mind.  If I were using paints, it would be so much easier.  Mixing a paint color does not require hunting down the right fabric. When you paint, you don’t have to purchase 3 different colors of paint to help decide which is right.  You simply mix the colors yourself.

Besides, I wasn’t thread painting.  I was digitizing.  When you digitize you can start with a very simple sketch.  The rest is done in software.  I drew and assigned colors in software.

Here’s my little sketch.  Squeezed in during the holidays, because it simply wanted to exist. I had no time for it.  But it found its own way out.

Merry Christmas to all of you, and a happy and blessed new year.  May all your artwork find its way out.

snow embroidery

It's about 12 inches wide

It’s about 12 inches wide

In progress.

In progress.

The view from the sewing room.

The view from the sewing room.

The 30 second sketch I used to start digitizing.

The 30 second sketch I created to start digitizing.

 

The Problem With Starting Projects

Yeah.

The problem with starting projects…or buying fabric for that matter…is that you have to finish them.  You know what I’m talking about.  Every single one of you has a project somewhere that has been lurking for, um, years.  You’ve lost interest, moved onto something new and exciting.  Or maybe you just haven’t had the time.

Well.

I hearby declare January the “Finish a Project” month. And 2014 the “Get Out From Under” Year.  If, like me, you have projects waiting patiently for you to complete them, then let’s all agree to get one done in January.

We can’t do it in December and everyone knows why.  Even if you will be completing projects in December they are likely gifts and you are under a deadline and those don’t count.  We’re looking for the poor, neglected, procrastinated projects.  We’re looking for the ones you gave up because it became tedious, or boring or difficult.  We want to clear away that ever-growing stack of projects that get sidelined for a “higher priority”.  Usually for me, it’s work or classes, or housecleaning, as if housecleaning will be on my list of life’s accomplishments.

Let’s find at least one that’s worth completing.  I’m starting with the three shown below.  I have no idea if I will be able to get one of them done in January, but I’m certainly going to try.  The others will get incorporated over the course of the new year.

I know, without a doubt, that life will get in the way.

But that doesn’t mean I can’t try.

A fun Christmas Baltimore Album quilt.  Needs a bunch more blocks put together, but a good January project.  No chance I'll get it done this Christmas, so a good one to work on during Downton Abbey episodes.

A fun Christmas Baltimore Album quilt. Needs a bunch more blocks put together, but a good January project. No chance I’ll get it done this Christmas, so a good one to work on during Downton Abbey episodes.

Definitely want to get this one done by spring. Problem is that it's queen size. Won't be easy to quilt on my machine at home. Dreaming of a longarm.

Definitely want to get this one done by spring. Problem is that it’s queen size. Won’t be easy to quilt on my machine at home. Dreaming of a longarm.

This is a grown up quilt.  complete with instructions and history of each block. I'm ready.

This is a grown up quilt. Complete with instructions, history of each block and reproduction fabric. I’m ready.

 

Machine Embroidery Applique

I know you’re out there….all of you who have heard about applique using your embroidery machine, but have not seen a design created this way or have not had the courage to try it on your own.

No problem.

Last night I stitched out this design from one of the new Bernina collections called “Caravan”.  Now when I say “Bernina collections”, it just means that Bernina distributes the designs.  You don’t have to own a Bernina. The designs work on any embroidery machine, and come in all machine formats.

First start stitching out the design.  I chose a denim jacket to support all the craft stitches included in this design and I used 2 layers of poymesh cutaway stabilizer.

caravan1This embroidery machine applique collection contains designs for applique, cutwork, crystalwork, paintwork and a printable. The kit comes with a catalog of designs, as well as suggested thread colors, pattern pieces and even a way to get your designs back if you accidentally write over the usb stick!

 

Bernina embroider software 7Keep Bernina Embroidery Software 7 open nearby, or you can use any software or none at all. It just helps to keep track of the thread colors as you go.

 

 

placement lineBecause the design was originally digitized as an applique, one thread color will be used as a placement line. This is usually just a simple running stitch.

 

 

 

applique fabricAdd the fabric, then let the next thread color run.  It will trace the outline of the applique. Use applique scissors to cut away the fabric around the top running stitch.

 

 

 

applique scissorsI prefer to use these small rounded snips because they allow me to get into tight corners.  Because they point up, they’ll also prevent you from poking holes in the fabric underneath. You can find different types of applique scissors on the market.

 

 

caravan in progressTake your time with these designs as you will be stopping to lay down fabric, trim it away and the design will layer stitches on top to finish the look.  This particular design had 5 layers of applique.  Can you see them all?

 

 

Looks great on my denim jacket!

Looks great on a denim jacket!

I apologize for the darkness of some of these shots.  That’s what happens when I work at night!  Anyway, here’s the final design!  The detail on it is magnificent!  Machine embroidery applique is not difficult at all.  It’s just knowing when to lay down fabric.  Jump in and try this.  It will give your designs added dimension, color and complexity without adding more stitches.

I am grateful for…

…family.  Immediate and extended.  Functional and dysfunctional. Near and far.

…friends.  Old and new. Tried and true and even those who think I’m the crazy one. It’s OK. They may be right.

…work.  Getting paid to do things I love, to work with my hands, to teach.

…students.  Passing along  knowledge to those eager to learn. It’s lovely.

…a roof over my head. After recent storms I am reminded – it’s a gift.

…a warm bed. Enough said.

…more food than anyone at our house will be able to eat in one day on Thanksgiving.  The abundance is embarrassing, and I’ve done absolutely nothing to deserve it.

…snow.  Giant quiet flakes or howling blowing tiny ones that swirl on the driveway.  There will come a day in a few months when this will come off the list and all I’ll be able to think about is spring.  I am grateful for that too–that every season holds its own beauty here in the midwest.

…volunteer work.  Knowing that at least I tried.

…creative outlets. Photography, painting, sewing,.  Without them I would explode.

…good books. (If you like a good mystery, start with “Still Life” by Louise Penny.  Follow it up with “A Fatal Grace”.  Both perfect for the season.)

..nature.  All of it.  From the tiniest seed to the vastness of the stars.  I don’t get it and I don’t have to.  I’m grateful just to be a part of the mystery.

…faith.  Knowing that I know nothing, and that my puny mind is not the last word.

…hope.  “Sun follows rain. Peace follows pain.”  (yikes, what a time to quote a Marie Osmond song).

..love.  Without it of course, the rest doesn’t matter.

Wishing you and yours a blessed, abundant, creative Thanksgiving. Thank you for reading this blog.

 

Autodigitizing a Bitmap and a Vector

These are two VERY simple procedures in Bernina Embroidery Software 7.  I am not going into any real details because any software owner should have classes available to them.  However, if you need a quick refresher or some basic help on getting started, this will get you there.

Autodigitizing a Bitmap:

Open your software to a new file, click “insert artwork” up at the top.  Navigate to your c: drive and find the “Embroidery Software 7” folder.  Double click to open all the design folders.  Double click on the “artwork” folder.

insertembbitmapNext find the butterfly, and click open to bring the bitmap into the software.  All the designs in the folder entitled “artwork” are bitmaps and can be loaded the same way.

insertartworkDe-select the artwork by clicking outside of it.  Then go over to the left side of the screen under the heading “autodigitize’ and click on “autodigitizer”.  Then click on the image. So many people forget that step and then get lost.  Once you click on the image, you’ll see a dialog box confirming the number of colors. Click OK.  Next a dialog box will appear that allows you to omit some of the colors.  Since you almost always want to eliminate the white background, click “omitted colors”, then click the white box.  Click “OK ” and the butterfly will become stitches.  It’s that easy.  Now, obviously, you can make changes to the design and edit it an infinite number of ways.  But before you send it to the machine, be sure to click on the image in the background and delete it.

autodigitizeDigitizing a vector:

Vectors should almost always be brought into the software using “Artwork Canvas”.  But before we get too far, be sure to move your Corel Clipart into your Embroidery Software 7 folder so you’ll have access to it.  The clipart folder contains only vectors, so it’s a great resource for artwork.

(Here’s how to move it:  Go to your “start” menu under “All programs”, find Corel Essentials 6.  Click ONCE.  You will see a folder called “content”.  Click ONCE.  Then right click on the “clipart” folder and hit copy.  Navigate to your c: drive and find the embroidery software 7 folder. Click TWICE to open it.  Find a blank area and right click, then click “paste”.  The clipart folder should now appear with all your other design folders.  By the way, the Mastery Book for Software 7 has all these instructions.)

Back to vectors.  Open a new file in Software 7.  Click on the “artwork canvas” icon to get into the Corel part of the software. This may take a few seconds the first time you go into artwork canvas.  It’s a big program.  When it’s open, click the “load artwork” icon, shaped like a flower, usually the first icon on the left.  You’ll get a dialogue box to navigate to a file.  Head over to your c: drive and find the clipart folder we just added. Click TWICE to open the folder.  At this point you can choose any of the files to open.  Once you click “open”, be sure to hit enter on your keyboard to place the file.

vector1With the artwork selected, simply click the button at the top that says “Convert” .  If you hover, it will say “convert vectors to embroidery”.

vector2And that’s it!  You’ll end up back in embroidery canvas with digitized art. Now, you may want to edit colors, stitch types, density, pull compensation etc.  But for the most part, you are digitizing!

Be sure to get a copy of the Mastery Books for Software 7.  It goes into detail on all the features and you’ll want to work with your dealer to learn the specifics.

Then get digitizing!  Now that you know bitmaps and vectors, nothing can stop you!  (Except copyrights, of course..but that’s for another time!)