Shipshewana Dreamin’ – Part 1

Posted on June 25, 2015 by edges

I recently made a road trip to Shipshewana IN…someplace I had wanted to visit for a long time. I was not disappointed.

My trip overlapped the annual Shipshewana Quilt Festival by one day, but to be honest, I avoided the festival. I spend a lot of time with quilters at work. I’ve been to expos and festivals. What I really wanted to do was experience what was truly unique to Shipshewana. (Don’t worry, of course I visited the quilt shops…more to come on that!)

It’s Amish country as you may very well know. I was careful not to take any pictures of them, but they do not mind a pic from a distance or shots of their homes or buggies. ( I asked.) I took several carriage rides and asked many questions. They use cell phones for business and rely on solar panels and wind turbines for electricity although many of them also have propane or natural gas at home.

Spending time in this pastoral setting really reinforced to me the hazards of modern living: speeding cars with impatient and intolerant drivers, over-reliance on technology, and the toll the lack of fresh air and exercise takes on our modern bodies. All Amish, at least those in Indiana, ride bikes or take the carriages. Horses look healthy and are a way of life for them. So many Amish live and work in the town, I really expected them to hide from tourists. But frankly, they are friendly, willing to talk about their lifestyle and very open and gracious…but private where any person or family would be private.

The way they decide whether or not to tolerate a technology is whether it will reinforce or tear down the community. Cars will always be out, because it is a way for anyone to escape community rather than build it. Same with TV’s and computers and phones. But they live in a real world where they have to make a living so cell phones for business or compressors to help milk the cows are tolerated.

I took a tour of an Amish house, sat and ate a home cooked meal with a family, saw them milk cows, toured the farm and was genuinely warmly welcomed. I visited the Menno-Hof, a guided tour museum of the history of the Anabaptists.

This farmhouse actually looks a lot like my grandparents’ farmhouse in Wisconsin.

Look at this garden! Every farm had a beautifully tended garden like this…not a weed in sight. Ever.

The town of Shipshewana is charming by any standards, with local restaurants and shops. I’ll give a rundown of some of the quilt shops in the next post.

In this photo, the carriages were parked at a house funeral for a well-known elderly gentleman. What a lovely site. And life goes on.

Quilting vs. Gardening: It Must Be June

Posted on June 14, 2015 by edges

I’ve been busy. Too busy to write a blog.

And not only too busy, but too boring. And while I don’t mind writing a boring blog, I’m not sure you want to read one. All of that aside, I have also reached the point in the year where all good quilters/gardeners have to make some decisions. Inside or outside. Quilt or garden. Flowers and vegetables or blocks and table runners.

And while I may be able to hold it all in my mind simultaneously, I certainly can’t work on it all simultaneously. So although I have some very ambitious sewing plans and classes lined up, as my farmer grandfather used to say (and do), “Make hay while the sun is shining.” Of course, he made hay in August, but you get the idea.

In the hopes of providing a little temporary entertainment, here’s a gallery of recent flowers from the garden. Most are done blooming, so I’ll be back in the sewing room shortly. In the meantime…it’s summer…let’s all go for a walk!

Crabapple tree

Improv and More

Posted on May 24, 2015 by edges

I have started working on an improvisational quilt.

Basically , it means I start sewing before I have any idea what I’m creating. For anyone who knows me, this way of doing things is right up my alley. I just purchased this book, “An Improv Handbook for Modern Quilters” by Sheri Lynn Wood.

Naturally, I flipped through the book and then started without so much as reading a paragraph. I promise I will go back and read. The book looks great. I just was inspired by the word “improv” and began immediately.

Here’s a sneak peak and to be honest , I don’t know how I will complete it. Just know that it’s a gift, so I don’t want to divulge the whole quilt til it’s been given away. At that point, it’s done and there can be no regrets or turning back. For now, it’s simply a work in progress.

In machine embroidery, I am preparing to teach a Software Inspirations class based on a tutorial from Sylvain Bergeron, Bernina educator. In it, we learn to create textile fabric using embroidery…like argyle.

This is done completely in software, then stitched out as machine embroidery. It can now be cut up and used as a handbag piece, or in a quilt, or basically used as any other fabric. Would be fun to do a small series of these in different shades and then put them together as a quilt or table runner. Although I’m sure this image looks black and white, the thread used in the squares is actually a mauve with white lines, on Moda’s black grunge fabric.

That being said, like many sewists, I spend a lot of time in the garden in the spring, head back into the sewing room when it rains or as the weather gets too warm and buggy to be hanging around outside. I leave you with a few lovely pics from around the area this past couple of weeks. The earth is stunning.

Peony tree

Wild phlox

Crabapple tree

Quilt Market Mash-Up

Posted on May 14, 2015 by edges

Quilt Market 2015 is in full swing in Minneapolis this year. If you’re not familiar with Quilt Market, it’s the place where all the fabric designers and fabric makers and product developers present their new products to potential buyers (shop owners).

It is a twice-yearly event, spring and fall. I am hoping to attend the one in the fall, but we’ll see as things get closer!

For this year, I am content to live vicariously through social media.

If you want to follow along with all the chatter and visuals and news, here are a few ideas for getting the scoop.

On twitter, instagram and facebook, follow the hashtags:

#quiltmarket #fqsquiltmarket #showmethemoda #modagoestomarket

Fat Quarter Shop’s blog site will be live tweeting, updating, creating youtube videos and much more.

Art Gallery Fabrics is streaming live at certain times during the show. Find out more here.

Want a visual overview? Head over to #quiltmarket’s Instagram stream.

That’s enough social media to hold me for awhile — especially since I’ll be working into the weekend. Have fun and enjoy all the new and exciting stuff out there!

Adventures in Transfer Artist Paper

Posted on May 12, 2015 by edges

I love transfer artist paper. I’ve used it a number of times with differing effects.

You can purchase this online or at craft stores, possibly your local quilt shop.

It works only with an ink jet printer, and your results will come easier to you if you have a little bit of experience in photo software, like Photoshop or Corel.

You print the image onto the paper and then iron the image onto your fabric. The BIG difference between TAP and printing directly onto fabric paper is that the transfer actually becomes a part of your fabric…any fabric. It never washes out. It’s permanent.

You can see on this image that this botanical transfer prints right over the fabric and the underlying pattern shows through. This particular print worked beautifully because it ended up looking like dew on the plant. The instructions say you can print on wood, glass, stone, basically anything, as long as you can iron on it. It takes a little practice but here are a few tips:

–Always use a hot DRY iron — no steam.

–Remove the transfer while it’s still hot.

–Illustrations tend to look more interesting than photos, but worth trying both.

–Reverse anything with lettering before you print it on TAP or it will read backward.

–Cut as close to the image as possible before you iron it on your fabric.

–Try ripping the edges of your paper before ironing. It gives a torn, aged effect.

–Experiment, experiment, experiment! If you are a photography junkie like me, this is a great way to play with your images.

Here’s an example from the upcoming Software Inspirations program I’ll be teaching next week:

I also added some embroidery to this project, which is actually a travel pillow.

The final image is from a Messenger Bag, the project I created from a previous Software Sampler lesson — a good text example of using Transfer Artist Paper to convey an emotion, a worn timelessness.

I’ll leave you with my all-time favorite quote from Macbeth:

Tomorrow and tomorrow and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

Photography and Stitching on Organza, with a Touch of Needle Felting

Posted on May 8, 2015 by edges

I worked on this piece several years ago, but I recently brought it out again because of my work with Transfer Artist Paper. (I’ll show you that in my next post.)

In this example, I transferred my photography onto printable organza. You can buy sheets at an art supply store or even an office supply store…certainly online as well. They are designed for ink jet printers only.

I played with black and white photography and used a (more or less) abstract photo and began a collage. You can see from the photo that I added a number of different layers of texture — background fabric, organza photo, embroidery.

And believe it or not, the whitish fabrics floating a little ghost-like around the edges, are used-up bounce dryer sheets. They are shredded and needle felted onto the surface, with embroidery on top. (Incidentally, the photo is a detail of a wrought iron gate on the side of the road, which surrounded an old farm family tomb. It is just down the street from my house. The gate has since collapsed and been replaced with something much less ornate. But the tomb remains.)

In the detail below, you can get a good look at the needle felting used to attach the organza and the dryer sheets. On the organza, the more felting I did, the more the organza began to sort of pull apart and shred, which gave it a wonderful, antique faded look.

The embroidery over the top added a whole new level of detail and interest. This is one of those experimental pieces that gets more interesting the closer you look. I really enjoyed playing with textures other than simple quilt cotton. Our sewing machines are designed to sew through many different types of fabric and materials. While quilt cotton is easily accessible and stunningly designed these days, you just never know what fun things you can use in your “art quilting” travels.

Machine Quilting with Embroidery

Posted on May 1, 2015 by edges

I love doing my own quilting. But it’s not the easiest thing in the world, is it.

I’m actually OK at it, as long as the quilt is less than twin size. Bigger than that, and well, let’s just say I am still in the process of hand-quilting a queen size quilt I started quilting over a year ago. Still, I find it difficult to bring myself to hand over my quilt to someone else. Maybe one day I will change my mind. But for now, if I make a quilt, I want to be the one to quilt it.

So I have been experimenting with using my embroidery module to quilt. The largest hoop I can fit on my machine only goes to 8 inches wide, so that limits the size block I can quilt.

Nevertheless, my first experiment is with a simple block and a couple of simple quilt designs.

I know the hoop looks like it will go wider, but I am using a hoop that’s larger than my machine will go. (For all you Bernina fans, I have a 780 machine and a jumbo hoop instead of the maxi hoop.)

Using King Tut variegated thread from Superior, I got a beautiful stitch that really added dimension to the quilt.

When doing this kind of quilting, the trick is to use a machine that has “perfect placement”. This simply means that even after you have the block hooped, the machine gives you the option of moving the design in tiny increments to get your placement just right.

I still need to add the binding, and this was not a huge piece. But I look forward to trying this with larger and larger quilts.

I also have another technique in mind that I will be trying soon, so I’m hoping to show you more options using your embroidery. Lots and lots of quilting embroidery designs are available. Let’s make the most of our embroidery and get those quilt tops quilted!

Maybe You Stitch on the Edge Too!

Posted on April 22, 2015 by edges

An edgestitch is exactly what it sounds like. A stitch on the edge.

Most sewing machines have a specific foot for this purpose and Bernina’s foot #10D is, of course, one of my favorites.

On the way to sewing this baby quilt I decided to add a ruffle. So I cut 2 1/2 in. strips as you would for bias binding. Only I needed twice as much to form the ruffle. Because I wanted the ruffle to last through many washings, I decided to add a stitch right on the edge of the fold prior to ruffling.

I moved the needle 2 points over to the left, to stay just inside the fold.

Next I started to ruffle. You can see I am adjusting the ruffler to get just the right amount of “bite” so that the ruffle isn’t too curvy, but also not too flat. You can see the edgestitch along the left, on the fold. In general, when creating a ruffle, you need your length of the ruffle fabric to be twice the length of the fabric it will cover.

Then I attached the ruffle. (I don’t have a picture of that.)

Next, I attached the binding over the raw edge of the ruffle and the raw edge of the quilt. It naturally wanted to turn itself with the ruffle on the outside, so I went ahead and did another edgestitch along the top front of the quilt. The binding lays flat underneath.

The whole thing was only possible because I have rounded corners on the quilt…no miters. And I used a bias ruffle and a bias binding. Isn’t that a gorgeous edgestitch? Nothing like having the right tool for the job.

Now all I have left to do is to hand-stitch the binding on the back. The binding is longer than usual because of the way the ruffle is attached.

Now all we have to do is wait for the baby.

Daffodil Delight

Posted on April 17, 2015 by edges

Because this is my first year…

I was worried whether they would turn out. Wondered if they would ever bloom. How can something so beautiful be sold at Costco in October for $4 for a pack of 25?

What a wonderful world.

Oh yeah.

Quilt Market Prep

Posted on April 13, 2015 by edges

It’s that time of year again. Quilt Market is coming up and the fabric designers and manufacturers are revving up their marketing engines. Come May 15-17, they will be at full throttle and social media will be abuzz with new product, new designs, new fabric and quilty fun.

But I’ve always loved a good preview.

And fabric manufacturers are getting good at it.

One of my favorites is Art Gallery Fabrics. Young, hip, fresh, at least by my standards. I love what new designers (read: young people) are doing in the industry. Art Gallery has released a Look Book of their new Spring 2015 fabric.

Take a look and let me know your favorites. Mine so far is Sketchbook and Happy Home, but I have to admit, I love them all and would be hard-pressed to choose.

Moda, the pop queen of fabric manufacturers, is also starting to tease some of their new lines. On their blog, we get a glimpse of the new Bonnie and Camille, as well as Minnick and Simpson, Zen Chic and Fig Tree Quilts.

Stay tuned, as I will try to distill some of the quilt market info as it becomes available. In the meantime, quilt on, friends!

New quilt in progress for my grand niece, pattern is free from Me and My Sister Designs. Fabric is Airmail, by Eric and Julie Comstock.

Edgestitch

Sewing is life. Life is art.